| | 01 | M-W---- | 1:00P-2:20P | TBA | Reynolds, Viteri | Paper | 0 | 0 | 0 | | |
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| | 01 | -T----- | 3:00P-4:50P | TBA | Messbarger, Olynyk | Paper/Project/TakeHome | 75 | 0 | 0 | Desc: | This course is for first year (non-transfer) students only. Students who are not in their first year will be unenrolled from this course. |
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| A | ---R--- | 3:00P-3:50P | TBA | [TBA] | No final | 38 | 0 | 0 | Desc: | This course is for first year (non-transfer) students. Students who are not first years will be unenrolled from this course. |
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| B | ---R--- | 4:00P-4:50P | TBA | [TBA] | No final | 37 | 0 | 0 | Desc: | This course is for first year (non-transfer) students. Students who are not first years will be unenrolled from this course. |
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| | 01 | M-W---- | 8:30A-9:50A | TBA | Gao-Miles | Paper | 12 | 0 | 0 | | |
| 02 | M-W---- | 10:00A-11:20A | TBA | Gao-Miles | Paper | 12 | 0 | 0 | | |
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| Description: | What is human geography and why is it important? This course addresses these questions by introducing students to the fundamentals of the discipline of human geography. A geographic perspective emphasizes the spatial aspects of a variety of human and natural phenomena. This course first provides a broad understanding of the major concepts of human geography, including place, space, scale and landscape. It then utilizes these concepts to explore the distribution, diffusion and interaction of social and cultural processes across local, regional, national and global scales. Topics include language, religion, migration, population, natural resources, economic development, agriculture, and urbanization. In addition to providing a general understanding of geographic concepts, this course seeks to engender a greater appreciation of the importance of geographic perspectives in an increasingly interconnected and globalized world. No prerequisites. NOT AVAILABLE TO STUDENTS WHO ARE ENROLLED IN OR WHO HAVE TAKEN L61 116. Course is for first-year, non-transfer students only. |
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| | 01 | M-W---- | 4:00P-5:20P | January Hall / 110 | Fournier | Project | 24 | 0 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | This class is an interdisciplinary introduction to the academic study of modern and contemporary Latin America. The course focuses on main issues in Latin American politics, history and culture, both in the continent at large and in the specific regions and sub-regions within it. The class will particularly explore topics such as nation creation, national identity, modes of citizenry, the role of race, ethnicity, gender and class in the region's historical development, as well as social and political conflicts, which have defined the region over the centuries. This course is suggested before taking any other upper-level courses on Latin America or going abroad to other countries, and required for all Latin American Studies majors and minors. Through the course, students gain basic bibliographic knowledge and experience with research tools for a comparative study of Latin American politics society and culture. Prereq. None. |
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| | 01 | M-W---- | 1:00P-2:20P | TBA | Sánchez Prado | Paper/Project/TakeHome | 97 | 81 | 0 | | |
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| | 01 | M-W---- | 11:30A-12:50P | TBA | Yucesoy | Paper/Project/TakeHome | 100 | 46 | 0 | | |
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| Description: | This course introduces Korean civilization from earliest times to the present. While a broad survey, the course emphasizes cultural themes and social institutions, and explores the Korean past in East Asian and global perspectives. To help with building this comprehensive view, the class follows a chronological progression of history using a textbook. But throughout, students also learn from diverse media-including film, drama, music, games, and primary historical sources-to make their own sense of Korea and Korean culture. In terms of methodology, the class adopts various approaches, from source criticism and material studies to critically engaging modern-day representations of Korea in print and new media. Some of the topics covered include: foundation myths, ancient literature, colonialism, civil war, authoritarianism, rapid industrialization, and democratization in Korea. |
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| | 01 | M-W---- | 10:00A-11:20A | TBA | Kang | Paper/Project/TakeHome | 40 | 32 | 0 | | |
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| Description: | This course will present a comprehensive overview of Japan, its history, its institutions and cultural products, and its society and people. The first half of the course will comprise a survey of Japanese history, with an emphasis on its social and cultural aspects, from the earliest period to the present day. Having established the historical framework- with its interweave of native and foreign elements, Kyoto-based imperial aristocracy, the samurai class and their crucial role, Zen-inspired meditative arts, and exquisitely diverse cultural products- the class will move on, in the second half, to an examination of recent and contemporary trends and issues. These will center on Japanese education, social and family structures, urban centers and the rural periphery, economic and socio-political trends, Japan's distinctive and vibrant popular culture, contemporary problems and challenges, and the nation's dramatically shifting position in East Asia and in the 21st-century global order. |
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| | 01 | M-W---- | 1:00P-2:20P | TBA | Michael Crandol | Paper/Project/TakeHome | 40 | 40 | 4 | | |
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| Description: | What makes a country a democracy? A dictatorship? How do we know? In this course, we take a comparative approach toward the regimes of the Middle East and North Africa in order to critically examine the history, politics, religions, demographics, and economies of different case studies. Students will learn to identify key characteristics of contemporary governments of prominent Middle Eastern countries, the extent to which they can be called democratic, and the different degrees and nuances of authoritarianism. With the 2011 Arab Spring and its aftermath in mind, students will also explore academic debates over why regimes do, or do not, respond to popular pressure for change as they continually adapt and upgrade their capacities to remain in power. |
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| | 01 | M-W---- | 2:30P-3:50P | TBA | Warren | Paper/Project/TakeHome | 50 | 25 | 0 | | |
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| Description: | Between 1939 and 1945, Nazi troops invaded, occupied and destroyed major parts of Europe. A central aim of the Nazi project was the destruction of European Jewry, the killing of people, and the annihilation of a cultural heritage. This course seeks to deal with questions that, more than seventy years after what is now known as the Holocaust, still continue to perplex. Why did Germany turn to a dictatorship of racism, war, and mass murder? Why did the Nazis see Jews as the supreme enemy, while also targeting Poles, Ukrainians, Soviets, homosexuals, the Roma, and the disabled? The course introduces students to issues that are central to understanding Nazi occupation and extermination regimes. Students will look at survival strategies in Western Europe including emigration, resistance movements in Eastern European ghettos, local residents' reactions to the murder in their midst, and non-European governments' reactions. Course is for first-year, non-transfer students only. |
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| | 01 | -T-R--- | 4:00P-5:20P | TBA | Pytka | No final | 19 | 2 | 0 | | |
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| | 01 | TBA | | TBA | Viteri | No final | 3 | 0 | 0 | | |
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| Description: | Long before COVID-19, scholars across the globe postulated that language in health care is one of the most significant, and yet underexplored, social determinants of health in underserved linguistic diverse communities. This new course attempts to harmonize work across the disciplines of Global Public Health and Applied Linguistics by analyzing studies that examine language acquisition and language use across contexts with populations that experience serious health disparities- immigrants, refugees, indigenous peoples, racial and ethnic minority groups- and the course offers corresponding implications for health equity. Broadly speaking, this course addresses global health literacy issues, in both spoken and written communications, and its relationship to public health. As part of the seminar, students will apply the theory and research they learn to help meet the local language health needs of a changing population of refugees and immigrants in St. Louis community. |
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| | 01 | -T-R--- | 1:00P-2:20P | TBA | Brantmeier | Paper | 15 | 17 | 27 | | |
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| | 01 | -T-R--- | 2:30P-3:50P | TBA | Peng, Peng | Paper | 15 | 4 | 0 | | |
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| | 01 | --W-F-- | 10:00A-11:20A | TBA | Watt | Paper/Project/TakeHome | 19 | 4 | 0 | Desc: | DECOLONIZATION IN THE 2OTH CENTURY: This course traces the international history of decolonization, that is, the transformation of the system of empires and colonies into the post-1945 world of sovereign nation states. We begin with a brief survey of the history of empire, paying close attention to problems created during colonial rule that were especially vexing during decolonization. Through secondary sources we seek to understand the international context of decolonization, especially the paradox of continued colonial rule in the midst of an international discourse of self-determination and universal human rights. We engage with some of the classic critiques of imperialism including selections by Lenin, Gandhi, Memmi, and Fanon. Through case studies, we evaluate particular problems that emerged as the colonized wrested institutional and legal control over their territories from past rulers. We consider the difference between "decolonization" and "post-colonialism," and explore how some of the problems of past colonial rule continue to trouble our world today. Modern, Transregional. |
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| 02 | -T-R--- | 10:00A-11:20A | TBA | Hindle | Paper/Project/TakeHome | 15 | 13 | 0 | Desc: | MICROHISTORIES: How much can we learn about the past through the story of a single person, place, object, or event? Since the 1970s, historians have attempted to show that 'microhistories' can powerfully illuminate the grand sweep of history. By narrowing their focus to magnify the small, the particular, and the local, 'microhistorians' have argued that studies of apparently inconsequential subjects can have a major impact on our understanding of the past. This course is based on the intensive reading and discussion of several outstanding examples of the 'micro-historical' study of individuals, families, communities, events, and social interactions. These will be primarily drawn from the literature on early modern Europe, which has a long and continuing tradition of work of this kind. Some, however, are taken from the historiography of Early America and recent approaches to 'Global' history. Particular attention will be paid to questions of evidence and of its potential in the hands of imaginative historians; and to the deployment of particular analytical and narrative techniques in the construction of history. We will often be less concerned with whether the historians we study are 'right' in their arguments than with how they develop and present them. Transregional |
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| | 01 | -T-R--- | 8:30A-9:50A | TBA | Cassen | Paper/Project/TakeHome | 25 | 4 | 0 | | |
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| | 01 | -T-R--- | 11:30A-12:50P | TBA | Adcock | Paper/Project/TakeHome | 15 | 15 | 2 | | |
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| | 01 | -T-R--- | 8:30A-9:50A | TBA | Miles | Dec 13 2024 1:00PM - 3:00PM | 30 | 12 | 0 | | | |
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| | 01 | M-W---- | 4:00P-5:20P | TBA | Reynolds | Paper | 15 | 13 | 0 | | |
| 02 | -T-R--- | 4:00P-5:20P | TBA | Reynolds | Paper | 15 | 7 | 0 | | |
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| | 01 | -T-R--- | 2:30P-3:50P | TBA | Adcock | Paper/Project/TakeHome | 30 | 8 | 0 | | |
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| Description: | British cinema has gotten a bad rap. French film director François Truffaut once declared that cinema and Britain were incompatible terms since "the English countryside, the subdued way of life, the stolid routine-are anti-dramatic. . . [even] the weather itself is anti-cinematic." Yet British films proudly rank among some of the most acclaimed and beloved in film history: Monty Python and the Holy Grail, A Hard Day's Night, Lawrence of Arabia, The Third Man, Zulu, The Ladykillers, A Night to Remember, Trainspotting, The King's Speech, and the James Bond franchise. Admittedly, British cinema has had its ups and downs, never quite knowing whether to position itself as a distinctive national cinema or as a rival to Hollywood. This uncertainty has fostered a rich diversity and complexity that this course will emphasize in a survey approach. We will give equal attention to the work of high-profile directors like Alfred Hitchcock and Michael Powell and to important "genres" in which the British seem to excel--like black comedy, imperialist adventure, "kitchen sink" drama, documentary, and the so-called "heritage" films that paved the way for television's Downton Abbey. Required Screenings: Tuesdays @ 4pm |
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| | 01 | -T-R--- | 2:30P-3:50P | TBA | Studlar | Dec 18 2024 3:30PM - 5:30PM | 19 | 11 | 0 | | |
| A | -T----- | 4:00P-6:50P | TBA | Studlar | No final | 19 | 11 | 0 | | |
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| Description: | This course analyzes the social and political meanings of Chinese popular culture from the founding of the People's Republic of China in 1949 to the present. Focusing on genre fiction, cinema, and media, we will place Chinese popular culture in the context of social reforms and technological innovation. Through the lens of cultural expressions, we strive to understand the major changes of the Chinese society. For instance, the Chinese writing system and the computer, narrative films and the marketization reform, science fiction and urbanization, documentaries and surveillance technology, identity and the digital self-image craft. Exposed to different cultural forms and theories, students will acquire critical perspectives in thinking about the causes and consequences of Chinese social and cultural transformation. All class materials are available in English. No prerequisites. |
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| | 01 | M-W---- | 4:00P-5:20P | TBA | Gao | Paper/Project/TakeHome | 19 | 17 | 0 | | |
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| Description: | This course surveys the history of Latin America from the pre-Columbian civilizations through the Iberian exploration and conquest of the Americas until the Wars of Independence (roughly 1400-1815). Stressing the experiences and cultural contributions of Americans, Europeans, and Africans, we consider the following topics through primary written documents, first-hand accounts, and excellent secondary scholarship, as well as through art, music, and architecture: Aztec, Maya, Inca, and Iberian civilizations; models of conquest in comparative perspective (Spanish, Portuguese, and Amerindian); environmental histories; consolidation of colonialism in labor, tributary, and judicial systems; race, ethnicity, slavery, caste, and class; religion and the Catholic Church and Inquisition; sugar and mining industries, trade, and global economies; urban and rural life; the roles of women, gender, and sexuality in the colonies. Geographically, we will cover Mexico, the Andes, and to a lesser extent, Brazil, the Southwest, Cuba, and the Southern Cone. Pre-modern, Latin America. |
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| | 01 | M-W---- | 10:00A-11:20A | TBA | Montano | Paper/Project/TakeHome | 35 | 3 | 0 | | |
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| | 01 | M-W---- | 1:00P-2:20P | TBA | Gao-Miles | Paper | 20 | 9 | 0 | | |
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| Description: |
This course is a survey of the cultural and political-economic aspects of health, illness, and embodied difference in Latin America. We will approach these themes from an interdisciplinary perspective with an emphasis on anthropology and history, exploring how local, national, regional, and global factors affect health and healthcare and how people experience and respond to them. Topics will include interactions between traditional healing practices and biomedicine; the lasting impacts of eugenic sciences on contemporary ideas about race and disability; the unequal impacts of epidemic disease; Indigenous cosmologies and healing systems; the politics of access to healthcare; the cultural and political specificities of reproductive health; and the intersections of race, gender, ethnicity, class, and bodily capacities in the pursuit of wellbeing. This course is designed for students of all levels interested in health and/or Latin American cultures. It will be taught in English, and there are no prerequisites. |
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| | 01 | -T-R--- | 1:00P-2:20P | TBA | Williamson | Paper/Project/TakeHome | 85 | 85 | 0 | | |
| 02 | -T-R--- | 4:00P-5:20P | TBA | Williamson | Paper/Project/TakeHome | 90 | 67 | 0 | | |
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| Description: | This course invites students to assess the Chinese ways of controlling and shaping the environment from the beginning of the 20th century to the present. Through the analysis of the social, political, and cultural significance of coal, water, air, mushroom, and waste, this course charts how the Chinese society has seen and managed nature in order to survive and thrive in the modern world order. Examining the environment as an imperial symbol, a repertoire of energy resources, and even a threat to state ideologies, we will pay close attention to how historical and cultural agents have interacted with the natural world with different agendas. We will discuss a wide range of scholarship that bridges humanistic analysis with environmental studies. Interdisciplinary in nature, this course introduces students to the methodologies of environmental humanities and helps them understand the evolving meaning of the environment by considering the human tolls, political challenges, and technological forces across time and space. Besides essay writing, students will have the chance to develop creative projects (e.g. podcasts or video essays) as new critical practices. All class materials are available in English. No prerequisites. |
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| | 01 | -T-R--- | 4:00P-5:20P | TBA | Gao | Paper/Project/TakeHome | 19 | 9 | 0 | | |
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| | 01 | -T-R--- | 1:00P-2:20P | TBA | Newhard | Paper/Project/TakeHome | 19 | 19 | 1 | | |
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| | 01 | M-W---- | 4:00P-5:20P | TBA | Jay | Paper/Project/TakeHome | 20 | 20 | 11 | | |
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| | 01 | -T-R--- | 11:30A-12:50P | TBA | Lewis | Dec 16 2024 1:00PM - 3:00PM | 68 | 68 | 2 | | |
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| | 01 | -T-R--- | 10:00A-11:20A | TBA | Wang | Paper/Project/TakeHome | 40 | 40 | 10 | | |
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| | 01 | M-W---- | 10:00A-11:20A | Kemper / 103 | Kleutghen | Paper/Project/TakeHome | 20 | 12 | 0 | | |
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| | 01 | -T-R--- | 1:00P-2:20P | TBA | Ma | Paper/Project/TakeHome | 50 | 50 | 24 | | |
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| Description: | This undergraduate course surveys the major writers and works of 20th century Korean literature. During the 20th century Korea went through a radical process of modernization. From its colonization by Japan, to its suffering of a civil war within the cold war order, to its growth into a cultural and economic powerhouse, Korea's historical experience is at once unique and typical of that of a third-world nation. By immersing themselves in the most distinctive literary voices from Korea, students examine how the Korean experience of modernization was filtered through its cultural production. The course pays special attention to the writers' construction of the self and the nation. How do social categories such as ethnicity, class, gender, and race figure in the varying images of the self? And how do these images relate to the literary vision of the nation? Along the way, students observe the prominent ideas, themes, and genres of Korean literature. This class combines lecture with discussion, in which students are strongly encouraged to participate. All literary texts are in English translation and no previous knowledge of Korean is required. Fulfills modern literature requirement for EALC degrees. |
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| | 01 | -T-R--- | 1:00P-2:20P | TBA | Lee | Paper/Project/TakeHome | 19 | 19 | 1 | | |
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| Description: | At its zenith, the British Empire encompassed almost a quarter of the globe, allowing the diminutive island nation unprecedented economic, military, and political influence upon the rest of the world. This course will introduce some of the foundational responses to this dominance, both literary and theoretical, by the colonized and their descendants. We will examine important critiques of colonialism by theorists such as Frantz Fanon, Aimé Césaire, Edward Said, Homi Bhabha, and Gayatri Spivak, as well as literary works that reflect a postcolonial critique by authors such as V.S. Naipaul, George Lamming, Doris Lessing, and N'gugi wa Thiong'o. The course will interrogate how literature could be said to help consolidate Empire as well as ways in which it might function as rebellion against imperial power, with a view toward teasing out the problematics of race, gender, language, nationalism, and identity that postcolonial texts so urgently confront. This course satisfies the 20th C or later historical requirement. This course may fulfill the global or minority literatures requirement for students who declare an English major in the fall 2021 semester and beyond. |
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| | 01 | -T-R--- | 2:30P-3:50P | TBA | Brown | Paper/Project/TakeHome | 15 | 15 | 3 | | |
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| | 01 | M-W---- | 10:00A-11:20A | TBA | Treitel | Paper/Project/TakeHome | 40 | 40 | 13 | | |
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| | 01 | M-W---- | 11:30A-12:50P | TBA | Richardson | Dec 17 2024 10:30AM - 12:30PM | 175 | 127 | 0 | | |
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| | 01 | M-W---- | 4:00P-5:20P | TBA | Michael Crandol | Paper/Project/TakeHome | 19 | 6 | 0 | | |
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| | 01 | -T-R--- | 1:00P-2:20P | TBA | Mustakeem | Paper/Project/TakeHome | 35 | 35 | 20 | | |
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| | 01 | -T-R--- | 1:00P-2:20P | TBA | Knapp | Paper/Project/TakeHome | 45 | 45 | 17 | | |
| 02 | -T-R--- | 2:30P-3:50P | TBA | Knapp | Paper/Project/TakeHome | 45 | 45 | 17 | | |
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| | 01 | -T-R--- | 4:00P-5:20P | TBA | Hendin | Paper/Project/TakeHome | 30 | 3 | 0 | | |
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| Description: | This course examines slavery and its abolition in the Middle East and North Africa from 600 C.E. to the 20th Century. It addresses slavery as a discourse and a question of political economy. We begin with an overview of slavery in late antiquity to contextualize the evolution of this practice after the rise of Islam in the region. We then examine how it was practiced, imagined, and studied under major empires, such as the Umayyads, the Abbasids, the Fatimids, the Mamluks, the Ottomans, and the Safavids. In addition to examining the Qur'anic discourse and early Islamic practices of slavery, to monitor change over time we address various forms of household, field, and military slavery as well as the remarkable phenomenon of "slave dynasties" following a chronological order. We discuss, through primary sources, theoretical, religious, and moral debates and positions on slavery, including religious scriptures, prophetic traditions, religious law, and a plethora of narratives from a range of genres. We highlight a distinct theme each week to focus on until we conclude our discussion with the abolition of slavery in the 19th and 20th centuries. Topics of discussion include various forms of male and female slavery, Qur'anic and prophetic discourse on slavery, legal and moral views on slavery, slavery as represented in religious literature, political, military, and economic structures of slavery, issues of race and gender as well as slave writings to reflect on the experiences of slavery from within. The goal is to enable students to understand the histories of slavery in the Middle East and eventually compare it to that of other regions and cultures, such as European and Atlantic slavery. No second language required. |
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| | 01 | M-W---- | 2:30P-3:50P | TBA | Yucesoy | Paper/Project/TakeHome | 15 | 12 | 0 | | |
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| | 01 | M-W---- | 11:30A-12:50P | McMillan / 150 | Frachetti | Paper/Project/TakeHome | 15 | 15 | 3 | | |
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| Description: | This course begins with our close reading of Vladimir Nabokov's autobiography Speak, Memory. We then study some of the author's first works originally written in Russian and published in émigré presses. In the second half of the course, we move to a selection of his short stories and novels originally written in English, including Lolita, Pnin, and Pale Fire. Discussion topics will include memory, multilingualism, migration, authorial identity, narrative personae, and literature as enchantment. Requirements include three short papers, weekly Canvas and in-class participation, and an oral presentation. All assignments are in English. |
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| | 01 | -T-R--- | 4:00P-5:20P | TBA | Svobodny | Paper | 0 | 2 | 0 | | |
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| Description: | This course considers the crucial role played by translation across the world today: from new technologies and digital media, to the global demands of professionals working in fields as diverse as literature, law, business, anthropology, and health care. We will begin our exploration of the concept of translation as a key mechanism of transmission between different languages by looking at works of literature, and film. Students will then examine how different cultures have historically required translation in their encounter with each other, studying how translation constitutes a necessary transcultural bridge both from a colonial and postcolonial point of view in different historical moments and parts of the world. The course also analyzes from practical and real-world perspectives whether concepts such as war, human rights, democracy or various illnesses have the same meaning in different societies by considering the diverse frames of reference used by linguists, lawyers, anthropologists, and medical doctors across the world. Finally, we will focus on translation from a technological perspective by examining various modes of transfer of information required for the functioning of digital tools such as Google Translate, Twitter, Duolingo, or various Iphone applications. Throughout the semester we will also examine a range of creative artworks, and various forms of digital technology and computing (AI, machine translation) related to the theory and practice of translation. Readings will include works by Jorge Luis Borges, Walter Benjamin, Gayatri Spivak, Kwame Anthony Appiah, Susan Basnett, Lawrence Venuti, Emily Apter, Gideon Lewis-Krauss, and Karen Emmerich among others. Prerequisite: None. |
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| | 01 | M-W---- | 1:00P-2:20P | TBA | Infante | Paper/Project/TakeHome | 19 | 16 | 0 | | |
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| | 01 | TBA | | TBA | Esparza | No final | 1 | 1 | 0 | | |
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| Description: | Global Studies research explores thorny historical and contemporary questions around the world, such as the climate crisis, public health challenges, uneven development, the strife for racial justice, precarious labor, curtailed rights and liberties, and technological revolutions. In this course, students attend a weekly Proseminar and complete a Research Assistantship (around 5 hours per week). The Proseminar orients students to the practice of research, including the fundamentals of research design, methodologies, and methods. In addition, students are matched with a Faculty Mentor for a Research Assistantship. Ideally, students should apply for and enroll in this course in their sophomore or junior year. Apply at: https://globalstudies.wustl.edu/research-team-application. |
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| Description: | Italian literary history teems with representations of illness, insanity, and death. From the ghastly 1348 plague that frames Boccaccio's Decameron to the midday madness of errant Renaissance knights, from 16th-century tales of poisoning and 19th-century Pirandellian madmen to the contemporary scourge of mafia killings, disease, madness and death are dominant facts of reality, points of view, symbols, and cultural characteristics of Italian poetry and prose. This course undertakes a pathology of these tropes in Italian literary history and seeks to understand their meaning for the changing Italian cultural identity across time and the Italian peninsula. We will read primary literary texts and view excerpts from films alongside articles focused on the cultural history of medicine, religion, and criminal justice. Taught in English. No Final. |
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| | 01 | -T-R--- | 11:30A-12:50P | TBA | Messbarger | No final | 15 | 16 | 10 | | |
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| Description: | In this course, we will explore the horror genre and its variations in the context of 20th-century and contemporary German (language) literature and film. We will examine figures and tropes popular in the horror genre, such as the golem, the vampire, the shapeshifter, and the serial killer, and discuss various subgenres of horror, from the kafkaesque uncanny to contemporary splatters. Questions we will address throughout the semester include: What is horror and how does it work? What constitutes the specifically "modern" character of 20th-century horrors? How does the horror genre process socially relevant issues such as economic crises, migration, race and racial discrimination, gender (inequality), or abortion?
By the end of this semester, students will have acquired a deep understanding of German history and culture, and will have enhanced their proficiency in German writing, speaking, listening, and reading.
All readings, assignments, and discussions will be conducted in German. Prerequisites: German 302D and German 340C/340D OR German 341/341D OR German 342/342D. |
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| | 01 | M-W-F-- | 1:00P-1:50P | (None) / | Bademsoy | Paper/Project/TakeHome | 20 | 11 | 0 | | |
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| Description: | In the year 2000, HIV became the world's leading infectious cause of adult death. In the next 10 years, AIDS killed more people than all wars of the 20th century combined. As the global epidemic rages on, our greatest enemy in combating HIV/AIDS is not knowledge or resources but rather global inequalities and the conceptual frameworks with which we understand health, human interaction, and sexuality. This course emphasizes the ethnographic approach for the cultural analysis of responses to HIV/AIDS. Students will explore the relationships among local communities, wider historical and economic processes, and theoretical approaches to disease, the body, ethnicity/race, gender, sexuality, risk, addiction, power, and culture. Other topics covered include the cultural construction of AIDS and risk, government responses to HIV/AIDS, origin and transmission debates, ethics and responsibilities, drug testing and marketing, the making of the AIDS industry and "risk" categories, prevention and education strategies, interactions between biomedicine and alternative healing systems, and medical advances and hopes. |
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| | 01 | -T-R--- | 11:30A-12:50P | TBA | Parikh | Dec 16 2024 1:00PM - 3:00PM | 200 | 135 | 0 | | |
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| | 01 | M-W---- | 4:00P-5:20P | TBA | Richardson | Paper/Project/TakeHome | 35 | 29 | 0 | | |
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| | 01 | -T-R--- | 11:30A-12:50P | TBA | Sobel | Paper | 20 | 20 | 16 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | In this transdisciplinary course, gender is not a synonym for women, as Terrell Carver reminds us; rather, students take gender seriously as both an analytical category and a lived experience, examining how masculinities, femininities, gender identities, and sexualities shape international affairs. Traversing from the macro to the micro level, the course functions as a learning community in which students are exposed to diverse voices from around the world, and students conduct gender analyses in case studies and simulations. Throughout, the class will be mindful of 1) how gender functions in tandem with other aspects of identity, such as race, religion, class, sexuality, and more (intersectionality) and 2) how multidimensional identities morph historically, regionally, and culturally. Students build a gender analysis toolkit and practice what Cynthia Enloe describes as "feminist curiosity," exploring the relationship between gender and power in international affairs. |
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| | 01 | -T-R--- | 10:00A-11:20A | McDonnell / 361 | Heath-Carpentier | Paper | 18 | 18 | 11 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | -T-R--- | 2:30P-3:50P | TBA | Pollak | Dec 18 2024 3:30PM - 5:30PM | 30 | 30 | 3 | | |
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| | 01 | --W---- | 4:00P-6:50P | Schnuck Pav / 202 | Martin | Dec 13 2024 6:00PM - 8:00PM | 0 | 0 | 27 | | |
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| | 01 | -T----- | 3:00P-4:50P | TBA | Graebner | Paper/Project/TakeHome | 12 | 11 | 0 | | |
| A | ---R--- | 3:00P-3:50P | TBA | Graebner | No final | 12 | 11 | 0 | | |
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| | 01 | -T-R--- | 1:00P-2:20P | TBA | Hirsch | Take Home | 15 | 13 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | From the 19th century onwards, the relationship between Mexico and the United States has been defined by intense tensions and contradictions. Closely intertwined by geopolitical engagement and integrations, mutual migration flows, and rich cultural exchange, both countries belong to a binational system with few equivalents around the world, which defines the lives of people living across North America. And yet, few people in the United States have access to a clear and rigorous understanding of the Southern neighbor, often leading to conflict at the political and social levels. This class explores this historically, from the early frictions caused by territory and slavery to the binational conditions of the present. The class emphasizes the Mexican perspective of the relationship, often erased in discussions from the U.S. From this perspective, the course will engage critical moments in the history of the relationships, such as the underground railroad to the South, the Mexican American War, the Guadalupe Hidalgo treaty, and the Cold War. The class will also discuss the ways in which Mexico has influenced the United States culturally, from the impact of Mexican post-Revolutionary art in the New Deal to the rise of film directors like Alfonso Cuarón and Gullermo del Toro. Finally, the class will lay out the ways in which Mexicans and scholars of Mexican studies think about questions such as regional development, the border, immigration, and the Drug War. Prereq. L45 165D or prior coursework on Global Studies, Latin American Studies or American Studies. The course covers the seminar requirement for majors and minors in Latin American Studies. |
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| | 01 | M------ | 4:00P-6:50P | TBA | Sánchez Prado | Paper/Project/TakeHome | 55 | 45 | 0 | | |
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| | 01 | -T-R--- | 10:00A-11:20A | TBA | Hirsch | Take Home | 15 | 15 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | -T----- | 3:00P-5:50P | TBA | Poletto | Paper/Project/TakeHome | 6 | 2 | 0 | | |
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| | 01 | ---R--- | 3:00P-5:50P | TBA | Michael Crandol | Paper/Project/TakeHome | 15 | 10 | 0 | | |
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| Description: | Required for GS senior thesis writers, this course addresses the methods and mechanics of research and writing in GS, concurrently with independent work with the thesis adviser. The seminar provides structure, guidance, and response to your work. Students will already have identified a thesis topic; in the seminar, they will identify a research question and develop a thesis proposal. In workshop format, students will examine one another's research questions, hypotheses, and methods of analysis. In additional sessions, students will learn the basics of several models of electronically assisted research, and they will develop and refine presentation skills through the presentations of their proposals and results at various stages of progress.
Prerequisites: 1) a GPA of 3.65 at the time of application to the thesis program; 2) the identification of a thesis adviser; and 3) the approval of the GS Honors Program Director. Attendance is required. |
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| | 01 | -T-R--- | 8:30A-9:50A | McMillan / 259 | Graebner | No final | 16 | 13 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | TBA | | TBA | Kim, M | See instructor | 0 | 0 | 0 | | |
| 02 | TBA | | TBA | Kim, T | See instructor | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | [TBA] | See instructor | 0 | 0 | 0 | | |
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| | 01 | ----F-- | 1:00P-3:50P | TBA | Watt | Paper | 15 | 13 | 0 | | |
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| | 01 | TBA | | TBA | [TBA] | See department | 0 | 0 | 0 | | |
| 02 | TBA | | TBA | [TBA] | See department | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | [TBA] | See department | 0 | 0 | 0 | | |
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| | 01 | TBA | | TBA | [TBA] | See department | 0 | 0 | 0 | | |
| 02 | TBA | | TBA | [TBA] | See department | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | [TBA] | See department | 0 | 0 | 0 | | |
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