| | 01 | -T-R--- | 8:30A-9:50A | TBA | Acevedo | May 1 2025 1:00PM - 3:00PM | 15 | 11 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | M-W---- | 4:00P-5:20P | TBA | Schnurr | May 1 2025 1:00PM - 3:00PM | 15 | 15 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 03 | M-W---- | 8:30A-9:50A | TBA | Pardino | May 1 2025 1:00PM - 3:00PM | 15 | 9 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | -T-R--- | 11:30A-12:50P | TBA | Cortes Ferrandez | May 1 2025 1:00PM - 3:00PM | 15 | 15 | 1 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | -T-R--- | 1:00P-2:20P | TBA | Cortes Ferrandez | May 1 2025 1:00PM - 3:00PM | 12 | 11 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
| Waits Not Allowed |
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| 03 | M-W---- | 8:30A-9:50A | TBA | Pineda Cupa | May 1 2025 1:00PM - 3:00PM | 15 | 10 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 04 | -T-R--- | 1:00P-2:20P | TBA | Milner | May 1 2025 1:00PM - 3:00PM | 12 | 9 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | -T-R--- | 8:30A-9:50A | TBA | Chambers | May 1 2025 1:00PM - 3:00PM | 12 | 12 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | M-W---- | 8:30A-9:50A | TBA | Iniesta | May 1 2025 1:00PM - 3:00PM | 12 | 9 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 03 | M-W---- | 10:00A-11:20A | TBA | Carey | May 1 2025 1:00PM - 3:00PM | 12 | 12 | 1 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W---- | 8:30A-9:50A | TBA | Milner | May 1 2025 1:00PM - 3:00PM | 12 | 6 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | -T-R--- | 8:30A-9:50A | TBA | Ledesma Ortiz | May 1 2025 1:00PM - 3:00PM | 12 | 12 | 5 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 03 | -T-R--- | 10:00A-11:20A | TBA | Ledesma Ortiz | May 1 2025 1:00PM - 3:00PM | 12 | 12 | 6 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 04 | M-W---- | 11:30A-12:50P | TBA | Schnurr | May 1 2025 1:00PM - 3:00PM | 12 | 11 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 05 | M-W---- | 1:00P-2:20P | TBA | Schnurr | May 1 2025 1:00PM - 3:00PM | 12 | 12 | 3 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 06 | M-W---- | 4:00P-5:20P | TBA | Braxs | May 1 2025 1:00PM - 3:00PM | 12 | 6 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | -T-R--- | 8:30A-9:50A | TBA | Cunill | No Final | 12 | 12 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
| Waits Not Allowed |
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| 02 | -T-R--- | 10:00A-11:20A | TBA | Cunill | No Final | 12 | 12 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
| Waits Not Allowed |
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| 03 | M-W---- | 10:00A-11:20A | TBA | Barragan-Peugnet | No Final | 12 | 12 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 04 | M-W---- | 11:30A-12:50P | TBA | Doran | No Final | 12 | 9 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 05 | -T-R--- | 1:00P-2:20P | TBA | Ledesma Ortiz | No Final | 12 | 12 | 3 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 06 | M-W---- | 2:30P-3:50P | TBA | Barragan-Peugnet | No Final | 12 | 7 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 07 | -T-R--- | 4:00P-5:20P | TBA | Dowell | No Final | 12 | 7 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W-F-- | 10:00A-10:50A | TBA | Doran | No Final | 12 | 12 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | This course is the second part of a two-semester advanced-level sequence. Through the study of a variety of media (written, visual, aural, and digital), students will develop linguistic and cultural competence and gain a general understanding of contemporary issues of interest in Spain, Latin America, and the US. Discussion of a wide array of cultural and linguistic materials will serve as the basis for an exploration of the diversity of the Spanish-speaking world. Course content is organized thematically into five units: Youth Cultures, Food Culture, New Indigeneity, Environment, and Public Health. The course focuses primarily on writing skills. It is designed to prepare students to proceed to higher-level Spanish courses and to build written and oral proficiency. Prerequisite: Spanish 302, 3021 or 307D. Fromm Ayoroa in charge. |
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| | 01 | -T-R--- | 8:30A-9:50A | TBA | Pardino | Paper/Project/Take Home | 12 | 9 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | M-W---- | 11:30A-12:50P | TBA | Fromm Ayoroa | Paper/Project/Take Home | 12 | 12 | 1 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 03 | -T-R--- | 10:00A-11:20A | TBA | Pardino | Paper/Project/Take Home | 12 | 12 | 2 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 04 | M-W---- | 1:00P-2:20P | TBA | Barragan-Peugnet | Paper/Project/Take Home | 12 | 12 | 2 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 05 | M-W---- | 2:30P-3:50P | TBA | Fromm Ayoroa | Paper/Project/Take Home | 12 | 11 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 06 | M-W---- | 4:00P-5:20P | TBA | Zamora Garcia | Paper/Project/Take Home | 12 | 8 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 08 | M-W---- | 10:00A-11:20A | TBA | Pardino | Paper/Project/Take Home | 12 | 6 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | This two-week course will provide a panoramic view of Chilean contemporary culture, focusing on the years from 1988 to the present. We will examine the representation of current issues in literature, the arts, and the media, and study topics such as governmental institutions, the constitution of 1980, the economy, the role of the Catholic Church, public policy concerning culture, etc. The course will meet three hours a day, and there will be several guest lecturers. Requirements: two short papers, short reports in class of the news or a cultural activity students have attended, and participation in class discussions. Course includes an all-day cultural excursion on Saturday (it includes a visit to one of Neruda's houses, a history museum, etc.). THIS COURSE IS TAUGHT IN SANTIAGO, CHILE, AS PART OF THE WASHINGTON UNIVERSITY CHILE PROGRAM. CONDUCTED IN SPANISH. |
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| | 01 | TBA | | (None) / | Suelzer | No Final | 0 | 0 | 1 | | |
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| Description: | This course is intended to acquaint students with important aspects of Spanish culture, including history, civilization, society, politics, and the arts, dating from the first invasions of the Peninsula to the present. Students will gain an awareness of the ethnic, cultural, and aesthetic diversity of Spain, as a country of multiple autonomous regions, by working with written texts, other media, and by visits to various locations. The broader aim of the course is to enable students to engage with and to analyze Spanish culture from an intellectually critical perspective and knowledge of its sociohistorical distinctiveness. Requirements include active participation within all classes and excursions, presentations, and various written assignments. This course is taught in Madrid, as part of the Washington University Carlos III Program. Conducted in Spanish. |
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| | 01 | TBA | | TBA | Suelzer | No Final | 0 | 0 | 0 | | |
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| | 01 | M-W---- | 1:00P-2:20P | TBA | Doran | No Final | 15 | 17 | 1 | | |
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| Description: | This course studies Latin America through the lives of its people. We will take biographies as sites where individual dreams and struggles intersect with global, national, and local structures of power and cultural flows. Through various cultural objects and media (film, literature, music, and social media), we will approach the extraordinary yet everyday luchas of Latin Americans in cities and rural areas. We will contextualize each life within the region's political, economic, racial, and gender historicities. The biographies we will discuss may include but are not limited to domestic workers, taxi drivers, street vendors, wrestlers, musicians, folklore dancers, college students, rural teachers, political and ecological activists, influencers, indigneous YouTubers and filmmakers, LGBTQIA+ communities, and transnational immigrants. This course will have a strong, mandatory and graded oral communications component, and it is taught in Spanish.Prior or concurrent enrollment in Spanish 303 is required. Students who have taken more than two Spanish culture or literature classes are not allowed in this course and must proceed to a Researching Cultures class. |
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| | 02 | -T-R--- | 8:30A-9:50A | TBA | Gaytan | No Final | 10 | 10 | 0 | | |
| 03 | -T-R--- | 8:30A-9:50A | TBA | Abomo Edou | Paper/Project/Take Home | 10 | 9 | 0 | | |
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| Description: | The landmark law against gender violence in Spain, which was passed under the Socialist government in 2004, became the rallying point for feminist activists, even as it generated a vigorous backlash from among conservative sectors of Spanish society. More recently, the "La Manada" gang rape case in Pamplona in July 2016 provoked national outrage, and, together with the #MeToo and the #NiUnaMenos movements in the United States and Latin America, a global feminist movement was mobilized to protest sexual assault, femicide, and all other forms of gender-based violence. We will consider the works of 19th-century through present-day Spanish women writers, jouranlists, and filmmakers, including Emilia Pardo Bazan, Carmen de Burgos, Rosa Montero, Carme Riera, Lucia Etxebarria, Isabel Coixet, Iciar Bollain, and Roser Aguilar, who have spoken out against gender violence in a variety of fora. Their works will serve as points of departure for exploring the social and cultural causes and dynamics of gender-based violence as well as the ways in which Spanish women have responded to this problem in their writings, film, and other forms of representation. Our analysis will be informed by the larger historical framework of the development of feminism in Spain as well as by the recent global movement against gender-based violence. Course assignments will consist of daily readings, film viewings, group oral presentations, quizzes, discussion forum posts, and a final project that is orally based; students are also expected to engage actively in class discussions and in small group work. This course will have a strong, mandatory and graded oral communications component, and it is taught in Spanish. Prerequisite: Span 303 or Span 308D. Students who have taken more than two Spanish culture or literature classes are not allowed in this course and must proceed to a Researching Cultures class. |
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| | 01 | -T-R--- | 1:00P-2:20P | TBA | Tsuchiya | No Final | 15 | 10 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | The end of WWII and the advent of the Cold War brought heightened global attention to the Caribbean. While Cubans rid themselves of the Batista dictatorship, embraced socialism, and entered the USSR's realm of influence, Puerto Rico's importance for the U.S. as a showcase of capitalist modernization increased exponentially. Bad Bunny and reggaeton, Lin Manuel Miranda, and JLo wouldn't exist without the events and policies set in motion in Puerto Rico in the 1950s and 60s. This course will offer entry points into Puerto Rico's complex and often contradictory culture, with the goal that students develop a critical understanding of the leading social, political, and historical processes that have shaped the island's cultural production over the past 70 years. We will explore topics such as colonialism and neocolonialism, migration and diasporic communities, environmental and social justice, globalization and neoliberalism, and the intersection of race, class, gender, and identity formation. We will study works from island-born and Puerto Rican Diaspora cultural producers. Materials will include short stories and poems, films, podcasts, pop culture and sports icons, comics, performances, and historical essays. Prior or concurrent enrollment in Spanish 303 is required. Students who have taken more than two Spanish culture or literature classes are not allowed in this course and must proceed to a Researching Cultures class. |
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| | 01 | M-W---- | 4:00P-5:20P | TBA | Fromm Ayoroa | Paper/Project/Take Home | 12 | 12 | 4 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | This course examines how the Spanish language is used in context with emphasis on variation across linguistic subsystems-the sound system (phonetics and phonology), vocabulary (lexis), sentences (morphosyntax), meaning (semantics), and language in use (pragmatics)-and Spanish applied linguistics. Module 1 includes a concise overview and review of basics about linguistics, Hispanic linguistics, the nature of each linguistic subsystem, the history of the Spanish language, and characteristics of present-day regional varieties of Spanish. Module 2 focuses on semantics and pragmatics, complemented by an exploration of variation in vocabulary throughout the Spanish-speaking world, such as how the English word "popcorn" may translate as palomitas, canguil, cancha, pochoclo, among various other options, depending on the Spanish-speaking region in question. Module 3 introduces students to sociolinguistics as applied to the Spanish-speaking world, beginning with key concepts such as sociolinguistic variable and concluding with student-led analyses of samples of Spanish day-to-day interactions, emphasizing the legitimacy and value of variation in light of what might be relegated as "standard." Module 4 explores a selection of other areas of Spanish applied linguistics, which include teaching Spanish as a second or heritage language and dual immersion programs with Spanish and English in the United States. Students in the course are provided with opportunities to improve their own abilities in Spanish, such as regarding context-appropriate usage, and to apply their knowledge in practical ways to a range of issues and challenges related to the Spanish language today. Prereq: Spanish 303 or 308D. |
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| | 01 | -T-R--- | 4:00P-5:20P | TBA | Cortes Ferrandez | Paper/Project/Take Home | 15 | 12 | 0 | | |
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| | 01 | -T-R--- | 10:00A-11:20A | TBA | Chambers | No Final | 12 | 12 | 3 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | -T-R--- | 11:30A-12:50P | TBA | Chambers | No Final | 12 | 12 | 2 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | TBA | | TBA | Suelzer | No Final | 0 | 0 | 1 | | |
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| | 01 | -T-R--- | 11:30A-12:50P | TBA | Cunill | No Final | 12 | 12 | 5 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | This course delves into the cultural formations of the Andean region, taking Peru as a case study. We will explore the interplay between Indigenous peoples and state formation processes, indigenismo, racialization and coloniality, extractive capitalism, migration, the current gastronomic boom, and past and contemporary artivists (musicians, writers, and influencers). Course materials include oral histories, myths, literature, film, music, and social media. This course fulfills the Writing Intensive (WI) requirement for Arts and Sciences students. Prereq. Spanish 303 or 308E, and one (or preferably two) of the following: 341, 342, 343, 370, 380 or Debating Cultures. Students who have taken more than four Spanish culture or literature classes are not allowed in this course and must proceed to a Major Seminar. In Spanish.
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| | 01 | M-W---- | 10:00A-11:20A | TBA | Rivas Echarri | No Final | 15 | 11 | 0 | | |
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| | 01 | M-W---- | 1:00P-2:20P | TBA | Palafox | Paper/Project/Take Home | 15 | 5 | 0 | | |
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| Description: | This course will get us immersed in Mexico's rich cultural heritage through the perspective of curatorial practice as dispersed throughout its myriad museums, heritage sites, and everyday spaces. We will focus on curatorial discourse as a unique form of communication, a genre in itself that is often understated on the role it plays in shaping, shifting, and contesting cultural and social identities. We will analyze how curatorial language inhabits not only writing but visual culture, speech, heritage collections, gallery installations, and even architecture, fashion, and food. We will discuss how the instability of curatorial discourse reveals the instability and contradictions within cultural heritage itself, deceivingly presented constantly as a neutral, unchangeable, and unquestionable entity. The materials and reflections in this course will ponder on cultural heritage as inevitably curated, discern the forms and implications of such mediation, and study curatorial practice and the trade of the curator as a form of agency that should aim to be ethical, inclusive, collaborative, and always challenged and renewed.
We will work with a wide variety of materials from the early 20th century to contemporary Mexico that range from gallery and museum texts to political speeches, mass-media dispatches, literary texts, scholarly research, critical essays, interviews, fiction, magazine articles, manifestos, fashion statements, food menus, and architecture. These will lead us to reflect on how curatorial practice is a dynamic tool for understanding, renewing, preserving, and sometimes defying cultural heritage and what it stands for at different times and for different people.
*This course has a substantial, mandatory and graded written communications component and is taught in Spanish. It also fulfills the Writing Intensive (WI) requirement for Arts and Sciences students. Prereq. Spanish 303 and at least one Debating Cultures (32XX). Students who have taken more than four Spanish Debating/Researching classes are not allowed in this course and must proceed to a Major Seminar (4XX). |
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| | 01 | -T-R--- | 1:00P-2:20P | TBA | Cuairan Chavarria | Paper/Project/Take Home | 12 | 12 | 2 | | |
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| Description: | This course provides an introduction to the basic concepts in sociolinguistics. Sociolinguisticsfocuses on the symbolic value of language as an expression of group identity based on region,gender, ethnicity, socioeconomic class, age, or other ways of defining group affiliation. Notionssuch as speech community, sociolinguistic variable, phonological and syntactic variation, andfield methods will be included. The course also surveys other related topics such language incontact, bilingualism and Spanish in the United States, Spanish as heritage language, languageattitudes and language identity, and language and the law. We will focus on research examiningthe use of Spanish in Latin America, Spain, and the United States. |
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| | 01 | -T-R--- | 4:00P-5:20P | TBA | Milner | No Final | 15 | 7 | 0 | | |
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| Description: | In this course, we cut across interdisciplinary lines while exploring the dynamic diversity of some of Spanish America's most complex and fascinating cities not only as "real" objects of study but also as myths, symbols, and metaphors: Buenos Aires, San Juan (paired with New York), Havana (paired with Miami), Lima, Mexico City, and Santiago de Chile. Students will be able to select other major cities (Quito, Caracas, Montevideo, Managua, Bogotá, Cartagena de Indias, among others) for an in-depth study, either individually or in collaborative teams. First, we will trace the genealogy of the Spanish American city back to the monumental sacred centers of Cuzco and Tenochtitlan. Next, we will concentrate on the representations of cities in literature, visual arts, and film, with special emphasis on topics such as class, race and gender relations; political upheaval, protest, repression, surveillance, punishment, incarceration; youth culture; poverty, marginality and labor; public health, contagion, epidemic/pandemic; migration; globalization, sustainability, and climate change; tourism; access, movement, disability; street culture; urban agriculture and design; public and private (domestic) spaces. We will also examine various research articles on the subject of the city, blending insights from anthropology, urban studies, sociology, economics, etc. This engagement with interdisciplinary approaches will encourage students to seek their own insights grounded in areas beyond literature, art or film, and to perceive cities as sites of diverse human experiences. PreReq: Completion of one Debating Cultures and one Researching Cultures Course. In Spanish. |
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| | 01 | -T-R--- | 11:30A-12:50P | TBA | Sklodowska | No Final | 15 | 17 | 5 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | -T-R--- | 10:00A-11:20A | TBA | Sklodowska | No Final | 15 | 17 | 1 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W---- | 4:00P-5:20P | TBA | Palafox | No Final | 15 | 15 | 3 | Desc: | The Many Facets of Love
In this course we will study the different metaphors, ideas and social attitudes about love that have appeared in the Iberian Peninsula from the eight to the twenty first century in various
cultural artifacts. We will start with the poetic traditions brought by the Arabs, which were a mix
of learned and popular culture, and Ibn Hazm's El collar de la paloma, an eleventh century
Moorish love treatise, and will end with the movies, literature and TV programs produced after
1975, the year Spain entered into its last democratic period, after the 36 years of Franco's
dictatorship. We will learn about matchmakers, courtly love, romantic love, love sickness and its
cures, heterosexual and same sex relationships and the way these all have been viewed and
treated in poetic, social and legal terms during the past thirteen hundred years, since 711 A. C. (the year the Muslims arrived in Spain), to the present time. |
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| 02 | M-W---- | 4:00P-5:20P | TBA | Garcia Liendo | No Final | 15 | 9 | 0 | Desc: | PEDAGOGIES OF MODERNITY Schooling of indigenous people in the Andes during the twentieth century became an arena in which peasant societies, the State, modernity, and pedagogical theories (from progressive education to the Pedagogy of the Oppressed) collided and redefined the meaning of race, gender, culture, and nature. This course explores such a history focusing on Peru and Bolivia. We will delve into archival material, pedagogical theories, State and US-sponsored rural school projects, folklore, film, and the culture produced in rural schools by teachers and students (poems, plays, drawings, woodcuts, etc.) to underscore the multiple dimensions of schooling and the interplay between modernity and rurality. In doing that, we will also study the global circulation of knowledge (from pedagogy to development theory), the sentimental and practical education of men and women (home economics, hygiene, medicine, manual labor, and so on), the disciplinary regimes over bodies and minds, and the history of modern indigenismo, state-formation, and peasant resistance. This course will pay special attention to how rural schooling transformed indigeneity and Andean racialization schemes. Students will select a topic and become active interdisciplinary researchers over the semester. PreReq: At least the completion of one Researching Cultures course.
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| | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | This course, taught in English, is a foundation for students who will work with linguistically and culturally diverse people in the USA and around the world, whether this work is in the courtroom, hospital, classroom, office and more. The class will help prepare students for the diverse range of twenty-first century occupations that have language and linguistics at their center, including machine learning and translation studies. The class utilizes a survey format and covers both internal and external factors related to language acquisition and language use, such as language and the brain, language aptitude, age, gender, memory, prior knowledge, etc. Theoretical and research dimensions of both linguistics and foreign / second language learning are treated. Corresponding implications of the readings focus on action- on making decisions for language policies and debates around the world that are informed by linguistic and language knowledge. The course is required for the minor in applied linguistics, the PhD in Applied Linguistics, and the graduate certificate in language instruction. This course carries the Social and Behavioral Sciences attribute and can be taken for different majors such as Global Studies and Educational Studies. Prereq: Ling 170 is recommended but not required. |
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| | 01 | -T-R--- | 1:00P-2:20P | TBA | Brantmeier | Project | 15 | 22 | 2 | | |
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| Description: | This course provides a historical overview of feminist literary and cultural theories since the 1960s and 70s, acquainting students with a diversity of voices within contemporary feminism and gender studies. Readings will include works of French feminism, Foucault's History of Sexuality, feminist responses to Foucault, queer (LGBTQ+) theory, postcolonial and decolonial feminism, feminist disability theory, and writings by US feminists of color (African-American, Asian-American, Latina, Native-American). The reading list will be updated each year to reflect new developments in the discipline. We will approach these readings from an intersectional and interdisciplinary perspective, considering their dialogue with broader sociopolitical, cultural, and philosophical currents. By the end of the course, students are expected to have gained a basic knowledge of the major debates in feminist literary and cultural studies in the last 50 years, as well as the ability to draw on the repertoire of readings to identify and frame research questions in their areas of specialization. The class will be largely interactive, requiring active participation and collaborative effort on the part of the students. Students will be encouraged to make relevant connections between the class readings, everyday social and political issues, and their own research interests. NOTE: This course is in the core curriculum for the Women, Gender, and Sexuality Studies graduate certificate. Prerequisite: advanced course work in WGSS or in literary theory (300 level and above) or permission of the instructor. |
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| | 01 | -T-R--- | 10:00A-11:20A | McMillan / 221 | Tsuchiya | Paper/Project/Take Home | 12 | 12 | 0 | Desc: | 12 seats available. Majors and minors in WGSS receive first priority. Other students will be admitted as course enrollment allows. |
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| | 01 | --W---- | 4:00P-6:50P | TBA | Barcroft | May 2 2025 6:00PM - 8:00PM | 20 | 20 | 3 | Desc: | This is a course for both undergraduate and graduate students. All students enrolled will attend from 4:00p to 5:50p. A preceptorial for undergraduate students only will meet from 6:00p to 6:50p. |
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