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16 courses found.
LATIN AMERICAN STUDIES (L45)  (Dept. Info)Arts & Sciences  (Policies)SP2019

L45 LatAm 3800Topics in Hispanic Cultures3.0 Units
SecDays       TimeBuilding / RoomInstructorFinal ExamSeatsEnrollWaits
32-T-R---1:00P-2:30PEads / 215 AcreeDefault - none1270
Desc:MAKING LATIN AMERICA POPULAR. Despacito. Fútbol. Telenovelas. All are forms of Latin American popular culture that are increasingly part of our everyday reality here in the U.S. All are also inseparable from stories of inequality, ethnic tensions and celebrations, understandings of gender relations, and notions of hope that blend ideas of nation with cultural consumption. While popular culture in Latin America is often considered a contemporary phenomenon, linked to the twentieth century and the mass production of cultural goods-film, books, music-it has deeper roots. We can trace these back to the nineteenth century, where people, cultural processes, and phenomena literally began making Latin America popular. This course will survey the emergence and variety of modern popular culture in Latin America, from the 1800s to the present. Readings may include best sellers, gaucho poetry, stories of urban life and folk heroes, and texts from the late twentieth-century engaging themes from dictatorship to the Latinx experience. We will also learn about the intersections between race, nation, and music, explore the emotional and political power of fútbol, and delve into the appeal of telenovelas across socioeconomic divides. Historical and anthropological essays will also guide us throughout the semester.
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38-T-R---1:00P-2:30PDuncker / 109 Garcia LiendoMay 7 2019 1:00PM - 3:00PM1090
Desc:IMAGINING THE ANDES: ETHNICITY, MODERNITY AND HUMAN RIGHTS IN PERU. This course explores the main cultural transformations that occurred in the Andean region during the past century, taking Peru as a case study. Borne out of the union of indigenous, Western, African, Asian, and Amazonian traditions, Andean cultures have been a crucial arena for the study of indigeneity, diversity, popular culture, migration, politics, and ecology in Latin America from colonial times to the present. The course will begin by exploring ethnic identities in colonial and postcolonial history, and then will delve into four major topics: (1) indigenismo, nation, and rural cultures, (2) migration and urban cultures, (3) political violence and the struggle for memory and human rights, and (4) the Amazon, indigeneity, and nature conservation in globalized times. In order to offer an interdisciplinary approach to these topics, course materials will include myths, folklore, music, autobiographical accounts, photography, film, journalism, anthropology, literature, and essay. Course taught in Spanish. Readings in Spanish and English.
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49-T-R---11:30A-1:00PCupples II / 230 SklodowskaNo Final17130
Desc:THE PARADOXES OF CONTEMPORARY CUBA: THE GOOD, THE BAD, AND THE IN-BETWEEN. In the wake of such momentous events as president Obama's visit to Cuba (March 2016), Fidel Castro's death (November 2016) and the end of Raul Castro's presidency (April 2018), for many Americans the island has advanced from the category of a forbidden and exotic fruit to a full-fledged reality. Now is a good time to ask not only "What is next for Cuba?" but also "What can we learn from Castro's revolutionary experiments"? This course explores the paradoxes of Cuban lives on the island and in the diaspora-the good, the bad and the in-between-along with the intertwined histories of the United States and Cuba. Using a combination of literary texts (Carpentier, Cabrera Infante, Ponte, Bobes, Obejas, Morejón, Padura), films ("Strawberry and Chocolate," "Guantanamera," "The Promise," "The New Art of Making Ruins"), artwork (Mendieta, Bruguera, Garaicoa), political speeches, and unique visual materials compiled by the instructor throughout her many research trips to Cuba, we will look at the island's contemporary reality through the lens of its colonial and postcolonial past. Topics include ethnic and gender identities, the "myths" of Che Guevara and Fidel Castro, African-Cuban spirituality, popular music, political oppression and dissent, and the interplay of migration and exile, along with multiple perspectives on everyday life (foreign tourism, food rationing, dual-currency economy, restoration of colonial Havana, education, and healthcare).
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L45 LatAm 4622Labor and Labor Movements in Global History3.0 Units

L45 LatAm 4662Central American Geographies of Violence3.0 Units

L45 LatAm 4744TransAmerica: The US and Mexico Between the Wars3.0 Units
SecDays       TimeBuilding / RoomInstructorFinal ExamSeatsEnrollWaits
01--W----6:00P-9:00PKemper / 103 MillerPaper/Project/Take Home670
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L45 LatAm 502Latin American Studies: Critical and Theoretical Approaches3.0 Units
Description:The course constitutes an advanced introduction to Latin American Studies and focuses on basic concepts, theories and debates that are crucial to the understanding of the field, its connections to other areas of study and its projections into global scenarios. Some of the issues that will be analyzed in this course are the historical and cultural circumstances that surrounded the emergence of area studies in general and Latin American Studies in particular, the academic, intellectual and political elements that became part of the Latin American field from its inception, the evolution of the field during and after the Cold War, and the connection of the field to theoretical approaches such as those provided by Cultural Studies, Postcolonial Studies, postmodern theories, trans-Atlantic studies, Border Studies, and the like. From a methodological perspective, the course will introduce students to the understanding of inter/multi/post-disciplinary perspectives and to debates surrounding the notions of humanism, national cultures, "Third-World, Occidentalism, "lettered city", cultural diversity, cultural difference, collective memory, etc. Finally, the concepts of syncretism, heterogeneity, hybridity, "anthropofagia", transculturation, peripheral modernity, will studied as key concepts for the understanding of Latin American cultural history, from colonial times to the present. Through the critical study of these topics, students will get acquainted with the critical works of some of the most important scholarship produced in/about Latin America by authors such as Enrique Dussel, Roberto Fernández Retamar, Antonio Cornejo Polar, Beatriz Sarlo, Nelly Richard, Jesús Martín Barbero, Néstor García Canclini, Angel Rama, Walter Mignolo, Martín Lienhard, Aníbal Quijano, among others.
Attributes:
Instruction Type:Classroom instruction Grade Options:CPA Fees:
Course Type:HomeSame As:N/AFrequency:Every Third Semester / History

L45 LatAm 537The Production of Culture: Jos Mara Arguedas and the Migrating Andes3.0 Units
Description:Taking the oeuvre of writer, folklorist, and anthropologist José María Arguedas as a case study, this graduate seminar will examine the way 20th-century intellectuals dealt with material transformations in the production and circulation of cultures in the Andean region. Through the analysis of literary texts, ethnographies, journalism, practices of cultural promotion and recordings, we will explore the role of orality, writing and other, more recent technologies (such as the voice recorder, the radio, and music records), as well as that of capitalist markets and cultural commodification, in the configuration of public spheres in the Andes. Similarly, we will analyze the impact of the emergence of said public spheres on the imaginaries and materialities of nation, ethnicity, and the political dimension of culture. Conceptualizing immigration and urbanization as the key historical processes for our case study, the seminar will offer a historical and theoretical framework for understanding the transformations. rural and urban cultures in the Andean region region underwent during the past century, paying close attention to the classical debates these transformation generated in the field of Andean studies. This seminar will have a strong interdisciplinary appproach, combining topics such as cultural production, intellectual and cultural history, media studies, culture history, and public sphere. Readings in English and Spanish; course taught in Spanish. Prereq: Graduate standing.
Attributes:
Instruction Type:Classroom instruction Grade Options:CPA Fees:
Course Type:IdentSame As:L38 537Frequency:None / History
SecDays       TimeBuilding / RoomInstructorFinal ExamSeatsEnrollWaits
01-T-----4:00P-6:30PEads / 211 Garcia LiendoDefault - none1260
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Home/Ident

A course may be either a “Home” course or an “Ident” course.

A “Home” course is a course that is created, maintained and “owned” by one academic department (aka the “Home” department). The “Home” department is primarily responsible for the decision making and logistical support for the course and instructor.

An “Ident” course is the exact same course as the “Home” (i.e. same instructor, same class time, etc), but is simply being offered to students through another department for purposes of registering under a different department and course number.

Students should, whenever possible, register for their courses under the department number toward which they intend to count the course. For example, an AFAS major should register for the course "Africa: Peoples and Cultures" under its Ident number, L90 306B, whereas an Anthropology major should register for the same course under its Home number, L48 306B.

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A=Audit
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Q=ME Q (Medical School)

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