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ART HISTORY AND ARCHAEOLOGY (L01)  (Dept. Info) Arts & Sciences  (Policies) SP2019 L01 Art-Arch 111 Introduction to Asian Art 3.0 Units Lab Required Details Save  Cancel   My Note:   Description: Beginning with the birth of the Buddha and continuing through the present, this course introduces the most influential art and architecture from all across Asia. Each class covers both historic and modern works to emphasize the continuing dialogue between past and present in Asian art today. Classroom lectures; smaller, bi-weekly discussion sections. NO PREREQUISITE. Attributes: A&S IQ: HUM, LCDArch: HUMArt: AH, HUMBU: HUM, ISEN: H Instruction Type: Classroom instruction Grade Options: CPA Fees: Course Type: Home Same As: L03 111  L46 111  U10 111 Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 M-W---- 11:30A-1:00P Steinberg / 105 Kleutghen May 7 2019 10:30AM - 12:30PM 100 45 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. A --W---- 4:00P-5:00P Kemper / 103 Kleutghen See Department 14 11 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. B --W---- 5:00P-6:00P Kemper / 103 Kleutghen See Department 14 11 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. C ---R--- 12:00P-1:00P Kemper / 211 Kleutghen See Department 14 7 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. D ---R--- 3:00P-4:00P Kemper / 103 Kleutghen See Department 14 11 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. E ---R--- 5:30P-6:30P Kemper / 211 Kleutghen See Department 14 5 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. L01 Art-Arch 215 Introduction to Modern Art, Architecture and Design 3.0 Units Lab Required Details Save  Cancel   My Note:   Description: An introduction to major developments in modern art, architecture and design in Europe, the Americas, and across the globe from the mid nineteenth century to the present. Focus will be on the history and theories of modernism and its international legacies, and the relationship of the visual arts, architecture and visual culture more generally to the social, cultural and political contexts of the modern era. While the precise topics covered may vary from one instructor to another, foundational movements and trends to be discussed will typically include Beaux-Arts style, the Arts and Crafts Movement, Impressionism, Symbolism, Art Nouveau, Cubism, Dada, Surrealism, Purism, Art Deco, the Bauhaus, the International Style, Abstract Expressionism, Pop Art, Minimalism and Post-Modernism. Cross-currents in various media will be emphasized as we seek to understand the origins and complexity of modern visual forms in relation to political and cultural history and to critical theory. Students will engage a wide range of readings in historical sources, theories composed by artists, architects and designers, critical responses to the arts, and secondary critical literature. NO PREREQUISITE. Attributes: A&S IQ: HUMArch: HTArt: AHArt-Arch: MEABU: HUMEN: H Instruction Type: Classroom instruction Grade Options: CPA Fees: Course Type: Home Same As: U10 215 Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 -T-R--- 11:30A-1:00P Steinberg / 105 Sheren May 6 2019 1:00PM - 3:00PM 295 153 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. A -T----- 1:00P-2:00P Kemper / 211 Sheren See Department 19 17 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. B -T----- 3:00P-4:00P Kemper / 103 Sheren See Department 21 10 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. C --W---- 10:00A-11:00A Kemper / 211 Sheren See Department 17 15 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. D --W---- 11:00A-12:00P Kemper / 211 Sheren See Department 17 15 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. E --W---- 12:00P-1:00P Kemper / 211 Sheren See Department 17 17 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. F --W---- 3:00P-4:00P Kemper / 103 Sheren See Department 21 10 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. G ---R--- 10:00A-11:00A Kemper / 211 Sheren See Department 17 15 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. H ---R--- 1:00P-2:00P Kemper / 211 Sheren See Department 17 13 0 Desc: Enrollment limit has been raised to 17 to accommodate the enrollment of 2 auditors. Auditors must sign up for a section but are not required to attend section meetings. Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. I ----F-- 9:00A-10:00A Kemper / 103 Sheren See Department 21 21 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. J ----F-- 10:00A-11:00A Kemper / 103 Sheren See Department 21 20 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. L01 Art-Arch 299 Internship in the Art Community Var. Units (max = 3.0) Details Save  Cancel   My Note:   Description: INTERNSHIP SHOULD BE MADE IN ADVANCE WITH THE UNDERGRADUATE ADVISOR. Attributes: Instruction Type: Internship/Practicum Grade Options: P Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 TBA TBA Wallace See Department 99 1 0 Actions: Books 05 TBA Kemper / 211 Sheren Default - none 99 1 0 Actions: Books 20 TBA TBA Wallace No Final 999 0 0 Actions: Books L01 Art-Arch 3001 Writing Intensive Topics: The Aztec & Inka Empires: Art and Conquest 3.0 Units Details Save  Cancel   My Note:   Description: The Aztec and Inka, arguably the best-known cultures of the ancient Americas, produced a wide range of arts that served imperial goals. Material culture including sculpture, architecture, textiles, and ceramics embodied ideological power for the Aztec and Inka's diverse conquered subjects. This course traces the roles that art and architecture played in the Aztec and Inka empires, both as tools of conquest and, following the European encounter, as victims of conquest. As a writing-intensive course, students will consider Aztec and Inka imperial arts and will contend with the way they understand non-western art. The first half of the course will address the imperial agency of Aztec and Inka objects. In the second part, students will examine the afterlife of the works from a post-colonial perspective. Finally, incorporating indigenous points of view, students will endeavor to decolonize their understanding and writing about Aztec and Inka art. Prerequisites: L01 113, L01 215, or permission of instructor Attributes: A&S IQ: HUM, LCD, WIArch: HUMArt: AH, GFAH, HUMArt-Arch: NWBU: HUM, ISEN: H Instruction Type: Classroom instruction Grade Options: CA Fees: Course Type: Home Same As: N/A Frequency: Unpredictable / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 02 -T-R--- 11:30A-1:00P Kemper / 103 Spivak Paper/Project/Take Home 15 11 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. L01 Art-Arch 3211 Art in the Egypt of the Pharaohs 3.0 Units Details Save  Cancel   My Note:   Description: A penetrating study of the artistic achievements in ancient Egypt during the Old, Middle and New Kingdom (c. 3000-1100 B.C.) The great monuments of Egypt will be considered both for their aesthetic importance and as expressions of the culture developing, flourishing, and declining in the pristine valley of the Nile. Prerequisite: One course in Art History, Archaeology, or Classics; or permission of the instructor. Attributes: A&S IQ: HUM, LCDArch: HUMArt: AH, GFAH, HUMArt-Arch: AMBU: HUM, ISEN: H Instruction Type: Classroom instruction Grade Options: CPA Fees: Course Type: Home Same As: N/A Frequency: Every 2 Years / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 M-W---- 10:00A-11:30A Kemper / 103 Aravecchia May 6 2019 10:30AM - 12:30PM 40 10 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. L01 Art-Arch 334 Roman Art and Archaeology 3.0 Units Details Save  Cancel   My Note:   Description: The art and archaeology of the Romans, with emphasis on the late Republic and the Imperial period. Major monuments of sculpture and architecture, as well as town planning, domestic architecture, and the minor arts will be used as evidence for reconstructing ancient life. Attributes: A&S IQ: HUMArch: HUMArt: AH, GFAH, HUMArt-Arch: AMBU: HUM, ISEN: H Instruction Type: Classroom instruction Grade Options: CPA Fees: Course Type: Home Same As: L08 334  L52 334 Frequency: Every 2 Years / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 -T-R--- 10:00A-11:30A Kemper / 103 Jones May 7 2019 6:00PM - 8:00PM 40 34 0 Actions: Books L01 Art-Arch 3548 Art & Archaeology of Ancient Mesoamerica 3.0 Units Details Save  Cancel   My Note:   Description: This course surveys the arts and archaeology of Mesoamerica (present-day Mexico, Guatemala, Belize, and parts of Central America) from 1500 BCE to 1521 CE. Beginning with early advanced civilizations and ending with the Spanish conquest, we will examine the material culture of selected cultures as our point of entry into the understanding of ancient social, political, and religious life. Visual analysis of sculpture, painting, ceramics, architecture, and other art forms will be supplemented by archaeological evidence, Colonial documents, theory of religions, epigraphy, and the natural sciences. We will also critically read contemporary scholarship in order to address class themes of ideology, regional interaction, sacred landscape, writing, and materiality. Prerequisites: L01 113 or L01 215 Attributes: A&S IQ: HUM, LCDArch: HUMArt: AH, GFAH, HUMArt-Arch: NWBU: ISEN: HUColl: CD Instruction Type: Classroom instruction Grade Options: CPA Fees: Course Type: Home Same As: L01 5548  L45 3548  U10 3548 Frequency: Unpredictable / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 -T-R--- 4:00P-5:30P Kemper / 103 Spivak May 8 2019 6:00PM - 8:00PM 40 13 0 Actions: Books L01 Art-Arch 3625 Global Renaissance 3.0 Units Details Save  Cancel   My Note:   Description: This course provides an overview of transcultural encounters within and beyond Europe circa 1450 to 1650. During this period, visual forms and artistic practices linked places in disparate corners of the world, such as Venice and Istanbul, Mexico City and Florence, Manila and Acapulco, Amsterdam and Agra. Focusing on cities as cosmopolitan centers of artistic production, the course will consider the mercantile networks, imperial strategies, and artistic technologies that heightened the mobility of art, as well as the local manifestations and native traditions that continually reshaped it. Students will gain a deeper understanding of the diversity of art and architecture during this period of increased cultural exchange, cultivate tools of art-historical analysis, and hone skills in presenting such analysis in written form. Attributes: A&S IQ: HUM, LCDArch: HUMArt: AH, GFAH, HUMArt-Arch: RBBU: HUM, ISEN: H Instruction Type: Classroom instruction Grade Options: CPA Fees: Course Type: Home Same As: L01 5625 Frequency: Unpredictable / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 M-W---- 1:00P-2:30P Kemper / 103 Ryu May 8 2019 1:00PM - 3:00PM 40 12 0 Actions: Books L01 Art-Arch 3785 Photography in America 3.0 Units Details Save  Cancel   My Note:   Description: This course will consider the practice and use of photography in America from its invention up to the present, offering various ways of thinking about the medium and its relation to society and culture. Students will come to understand the ways photographic practices shape public perceptions of national identity, ethnicity and gender, nature, democratic selves, and a host of other concerns. We will discuss famous practitioners such as Matthew Brady, Jacob Riis, Lewis Hine, Walker Evans, and Robert Frank. We consider not only the social and public uses of the medium through such episodes as the New Deal/FSA and photojournalism, but also the private explorations of 'fine art' photographers, and the everyday practices of the snapshot. Prereqs: Intro to Western (L01 112) or Intro to Modern (211), or one course in American History, American Cultural Studies, or permission of the instructor. Attributes: A&S IQ: HUMArch: HUMArt: AH, GFAH, HUMArt-Arch: MEABU: HUMEN: H Instruction Type: Classroom instruction Grade Options: CPA Fees: Course Type: Home Same As: L98 3785  U10 3785 Frequency: Unpredictable / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 -T-R--- 1:00P-2:30P Kemper / 103 Miller Paper/Project/Take Home 45 26 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. L01 Art-Arch 3815 Rococo to Revolution: Art in Eighteenth-Century Europe 3.0 Units Details Save  Cancel   My Note:   Description: The Long Eighteenth Century serves as a bridge between two fundamentally different times. The Europe of 1700 was dominated by absolutism and the ancien régime. The Europe of 1800 was in an age of revolution. This course will explore the dramatic shift in artistic representation and individual self-conception that occurred throughout the century to usher in our modern age. Important topics to be considered include: the rise of the Academy; the Enlightenment and the Encyclopédie; the Grand Tour; Art and Science; and the French Revolution. Focusing on the development of artistic trends, the course will address transformations in painting, sculpture and architecture throughout Europe. Attributes: A&S IQ: HUMArch: HT, HUMArt: AH, GFAH, HUMArt-Arch: A, MEA, RBBU: HUM, ISEN: H Instruction Type: Classroom instruction Grade Options: CPA Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 M-W---- 11:30A-1:00P Kemper / 103 Gabel Paper/Project/Take Home 40 11 0 Actions: Books L01 Art-Arch 3830 Topics in Women, Gender, and Sexuality Studies: Spectacular Blackness, Race, Gender, & Visual Cultur 3.0 Units Details Save  Cancel   My Note:   Description: Discourse about African American identity has been indelibly shaped by the nexus of language and visual representations that configure blackness as a deviant other to the West and U.S. citizenship. From racist caricature in travel narratives and pro-slavery tracts, to contemporary representations of "welfare queens" and "thugs," visual representations serve as allegedly transparent, and objective, examples of the perpetual and inevitable failure of people of African descent to be human. To combat these representations, many photographers, visual artists, and film and television producers have attempted to challenge and subvert this history of visual imperialism. Combatting this imperialism requires untangling the web of raced and gendered representations shaping what Patricia Hill Collins has called "controlling images" of African Americans-images such as Mammy, the pickaninny, Sapphire, Jezebel, the Welfare Queen, Coon, Sambo, Thug, and Man on the Down Low. At the same time, even discourses of respectability and "good" blackness can contribute to hegemony. In this course, we'll begin with representations of the slave in the 19th century and end with representations of (an always) gendered blackness in social media in order to explore the ways in which African American male and female identities have been shaped and resisted in visual culture. Attributes: A&S IQ: HUM, SC, SDArch: HUMArt: AH, CPSC, GFAH, HUM, VCArt-Arch: MEABU: BAEN: H Instruction Type: Classroom instruction Grade Options: CA Fees: Course Type: Ident Same As: L77 383  L90 393  L98 3832 Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 M-W---- 10:00A-11:30A Eads / 103 Wanzo May 6 2019 10:30AM - 12:30PM 20 19 0 Actions: Books L01 Art-Arch 4376 Pictorial Illusion in the Ancient Mediterranean 3.0 Units Details Save  Cancel   My Note:   Description: Among the many accomplishments in the history of Greco-Roman art, ancient writers especially valued the development of pictorial illusion. Pictorial illusion refers to the techniques of reproducing or approximating aspects of the visual perception of the material world on a two-dimensional surface. These include foreshortening, the application of highlights, and the indication of multiple points of depth in space relative to the picture plane. The purpose of the course is to explore the material, stylistic, and technical history of illusionistic painting practices in the ancient Mediterranean world from Classical Greece to Late Antique Rome and to seek to understand the cultural and social significance of those practices. In addition to examining specific historical questions in the development of ancient painting, the course will investigate trans-historical connections between vision, visuality, and methods of representation. Prerequisites: One of L01 112, L01 113, L01 211, or L01 215; one 300-level course in Art History preferred; or permission of instructor. Attributes: A&S IQ: HUMArch: HUMArt: AH, GFAH, HUMArt-Arch: AMEN: H Instruction Type: Classroom instruction Grade Options: C Fees: Course Type: Home Same As: L08 4376 Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 ----F-- 10:00A-1:00P Kemper / 211 Jones Paper/Project/Take Home 12 5 0 Actions: Books L01 Art-Arch 4496 Porcelain and Lacquer Abroad: Europe Encounters Asia 3.0 Units Details Save  Cancel   My Note:   Description: From 1500 to 1800, Europeans primarily used exported porcelains and lacquers to engage with China and Japan, which were neither under colonial control, nor easily accessible by travel. Collected first in kunstkammers by rulers and nobles as emblems of power, these initially rare, exotic luxuries retained their prestige even as they became more widely available and explicitly gendered. Combining deep object studies with collectors' case studies from across Europe, this course examines how early modern Europeans used porcelains and lacquers to satisfy their curiosity about and material desire for China and Japan. In addition to practical training in essential primary sources such as inventories, it will also introduce theories of luxury and consumption, gift exchange, cross-cultural interaction, material culture, and the global movement of objects. Attributes: A&S IQ: HUM, LCDArch: HUMArt: AH, GFAH, HUMArt-Arch: NWBU: HUM, ISEN: H Instruction Type: Classroom instruction Grade Options: C Fees: Course Type: Home Same As: L03 4497 Frequency: Every 2-3 Years / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 -T----- 8:30A-11:30A Kemper / 211 Kleutghen Paper/Project/Take Home 8 8 0 Actions: Books Waits Not Allowed L01 Art-Arch 4621 LEONARDO DA VINCI 3.0 Units Details Save  Cancel   My Note:   Description: Leonardo da Vinci is universally recognized to be one of the greatest artists of all time. But who was Leonardo? Artist or scientist? Master, magus or myth? This seminar explores the reality and fiction of a fascinating, yet enigmatic genius, as well as placing this unique individual in the contexts of Renaissance Italy and the modern imagination. Attributes: A&S IQ: HUMArch: HUMArt: AH, GFAH, HUMArt-Arch: RBBU: HUMEN: H Instruction Type: Classroom instruction Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 -T----- 2:30P-5:30P Kemper / 211 Wallace Paper/Project/Take Home 12 9 0 Actions: Books L01 Art-Arch 4744 TransAmerica: The US and Mexico between the Wars 3.0 Units Details Save  Cancel   My Note:   Description: Many areas of 20th century US culture between World Wars I and II were inspired by post-revolutionary Mexico. The Mexican Revolution (1910-1917) profoundly reoriented modern Mexico, introducing new cultural and aesthetic forms and historical themes over subsequent decades. Mexican artists contributed to a new national consciousness drawing on indigenous Mexico and on the new politics of workers and peasants, given monumental expression in mural painting. The bidirectional exchange between US and Mexican artists was of great importance for the cultural revitalization of the New Deal and after in the US. Among artists, writers, anthropologists, and tourists, the vogue for things Mexican was fed by many sources, including increasing travel, diplomatic exchange, and a yearning for alternatives to US modernity. The seminar will support travel to Mexico City, funded by the Art History and Archaeology Department. Must be a graduate student, or an undergraduate major or minor in Art History and Archaeology. Recommended courses: one 300- or 400-level course in 20th c. US art or history; or one relevant course in Latin American Studies program. Attributes: A&S IQ: HUM, LCDArch: HUMArt: AH, GFAH, HUMArt-Arch: MEABU: ISEN: H Instruction Type: Classroom instruction Grade Options: CPA Fees: Course Type: Home Same As: L45 4744  L98 4744 Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 --W---- 6:00P-9:00P Kemper / 103 Miller Paper/Project/Take Home 6 7 0 Actions: Books L01 Art-Arch 4860 Van Gogh: Creativity, Mythology, and Commodity 3.0 Units Details Save  Cancel   My Note:   Description: Among the most famous artists of the canon of European modern art is Vincent van Gogh, known for his expressive paintings, his famous letters that chart his tumultuous career, and a short creative life marked by intense work, passionate interests in the modern art and literature of his time, and the challenges of a mental illness. This seminar will examine his art and literature in three sections: the first devoted to studying the art itself throughout his short career; the second, devoted to the mythologies surrounding his art and its relationship to such notions as genius and madness. Third, we will look at how his art has become a popular commodity, reproduced internationally by methods varying from precise painted replicas to commercially popular goods marked with his most famous paintings. The history and theory of modern commodity culture on a global scale and its intersection with a burgeoning art market for post-impressionist art will be explored in this final section. Prerequisites: L01 113 or L01 215 and once advanced course in art history, or permission of the instructor Attributes: A&S IQ: HUM, LCDArch: HUMArt: AH, GFAH, HUMArt-Arch: MEABU: HUMEN: H Instruction Type: Classroom instruction Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: Unpredictable / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 --W---- 2:30P-5:30P Kemper / 211 Childs Paper/Project/Take Home 10 10 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. L01 Art-Arch 4900 Independent Study and Research Var. Units (max = 3.0) Details Save  Cancel   My Note:   Description: Attributes: Instruction Type: Independent study, tutorial, or other Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 TBA TBA [TBA] No Final 50 0 0 Actions: Books 02 TBA TBA Childs No Final 50 0 0 Actions: Books 03 TBA TBA Kleutghen No Final 50 0 0 Actions: Books 05 TBA TBA Sheren No Final 50 0 0 Actions: Books 06 TBA TBA Jones No Final 50 0 0 Actions: Books 07 TBA TBA Klein No Final 50 0 0 Actions: Books 08 TBA TBA Miller No Final 50 0 0 Actions: Books 12 TBA TBA Wallace No Final 50 0 0 Actions: Books L01 Art-Arch 4914 Beyond Limits: Transgression, Controversy, and Censorship in Modern Art 3.0 Units Details Save  Cancel   My Note:   Description: This course will examine some of the public controversies that surround the development of modern art over the last 150 years, to probe the question of the social and political functions of transgressive art. After reviewing key theories of the avant-garde, we analyze both the persona of the modern artist (e.g. Van Gogh, Picasso, Pollock) and the place of women artists in the revolutions of modernism (e.g. Cassatt, Hoch, Kahlo). A key issue to address is how modernism tests limits by asking what is (and is not) art (Duchamp and Brancusi). Some of the most controversial exhibitions in this time frame, from the Salon des Refuses in 1863 to Mirroring Evil in 2002, highlight the challenges raised by modern artists' treatment of the body. Controversies over public funding of contemporary art, debates waged over public art in St. Louis, and the recent episodes of iconoclasm with respect to Confederate monuments and memorials will close the course. Prerequisites: L01 215 and any 300-level course in Art History, or permission of the instructor Attributes: A&S IQ: HUMArch: HUMArt: AH, CPSC, GFAH, HUMArt-Arch: MEABU: HUMEN: H Instruction Type: Classroom instruction Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: Unpredictable / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 ---R--- 2:30P-5:30P Kemper / 211 Klein Paper/Project/Take Home 12 6 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. L01 Art-Arch 4922 From the Death of the Author to the Birth of YouTube: Identity in Contemporary Art 3.0 Units Details Save  Cancel   My Note:   Description: What constitutes an artist today, when anyone can upload his or her musings to the entire world? Is the question even relevant? This course will introduce students to the construction of artistic identity in contemporary art. Students will consider major themes governing the production of contemporary art. We will cover such topics as the death of the author and the end of art, identity politics and "authenticity," and the effects of new media on the construction of artistic persona. This course assumes a basic familiarity with the methods of art history, as well as general knowledge of art history before 1960. Prerequisites: Introduction to Western Art or Introduction to Modern Art and one 300-level course in art history, or permission of the instructor. Attributes: A&S IQ: HUMArch: HUMArt: AH, GFAH, HUMArt-Arch: MEAEN: H Instruction Type: Classroom instruction Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 M-W---- 1:00P-2:30P Kemper / 211 Sheren Paper/Project/Take Home 12 7 0 Actions: Books Syllabus Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. L01 Art-Arch 499 Honors Art HIstory and Archaeology 3.0 Units Details Save  Cancel   My Note:   Description: A major research paper acceptable to the Department. PREREQUISITE, PERMISSION OF THE DEPARTMENT. Attributes: EN: H Instruction Type: Independent study, tutorial, or other Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 TBA TBA [TBA] See Department 20 0 0 Actions: Books 02 TBA TBA Childs See Department 20 2 0 Actions: Books 03 TBA TBA Kleutghen See Department 20 0 0 Actions: Books 05 TBA TBA Sheren See Department 20 1 0 Actions: Books 06 TBA TBA Jones See Department 20 1 0 Actions: Books 07 TBA TBA Klein See Department 20 0 0 Actions: Books 08 TBA TBA Miller See Department 12 1 0 Actions: Books 12 TBA TBA Wallace See Department 12 0 0 Actions: Books L01 Art-Arch 500 Independent Study Var. Units (max = 6.0) Details Save  Cancel   My Note:   Description: PREREQUISITE, GRADUATE STANDING OR PERMISSION OF THE CHAIR OF THE DEPARTMENT. Attributes: Instruction Type: Independent study, tutorial, or other Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: Every Semester / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 TBA See Dept / [TBA] See Department 999 0 0 Actions: Books 02 TBA See Dept / Childs See Department 999 0 0 Actions: Books 03 TBA See Dept / Kleutghen See Department 999 0 0 Actions: Books 05 TBA See Dept / Sheren See Department 999 0 0 Actions: Books 06 TBA See Dept / Jones See Department 999 0 0 Actions: Books 07 TBA See Dept / Klein See Department 999 0 0 Actions: Books 12 TBA See Dept / Wallace See Department 999 0 0 Actions: Books 14 TBA See Dept / Mumford See Department 999 0 0 Actions: Books L01 Art-Arch 505 Graduate Internship in the St. Louis Art Community Var. Units (max = 3.0) Details Save  Cancel   My Note:   Description: Graduate students will work on advanced research project in their area of expertise under the joint supervision of a Washington University art history faculty member and a curator at the St. Louis Art Museum, the Mildred Lane Kemper Art Museum at Washington University, or other local museum. Prior agreement on a research project and internship duties required. See Professor Klein for permission. Credit: variable, up to three units. Attributes: Instruction Type: Internship/Practicum Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 TBA TBA [TBA] See Department 10 0 0 Actions: Books 02 TBA TBA Childs See Department 10 1 0 Actions: Books 03 TBA TBA Kleutghen See Department 10 0 0 Actions: Books 05 TBA TBA Sheren See Department 10 0 0 Actions: Books 06 TBA TBA Jones See Department 10 0 0 Actions: Books 07 TBA TBA Klein See Department 10 0 0 Actions: Books 08 TBA TBA Miller See Department 10 0 0 Actions: Books 12 TBA TBA Wallace See Department 10 0 0 Actions: Books L01 Art-Arch 5548 Art & Archaeology of Ancient Mesoamerica 3.0 Units Details Save  Cancel   My Note:   Description: This course surveys the arts and archaeology of Mesoamerica (present-day Mexico, Guatemala, Belize, and parts of Central America) from 1500 BCE to 1521 CE. Beginning with early advanced civilizations and ending with the Spanish conquest, we will examine the material culture of selected cultures as our point of entry into the understanding of ancient social, political, and religious life. Visual analysis of sculpture, painting, ceramics, architecture, and other art forms will be supplemented by archaeological evidence, Colonial documents, theory of religions, epigraphy, and the natural sciences. We will also critically read contemporary scholarship in order to address class themes of ideology, regional interaction, sacred landscape, writing, and materiality. Prerequisites: L01 113 or L01 215 Attributes: A&S IQ: HUM, LCDArch: HUMArt: AH, GFAH, HUMArt-Arch: NWBU: ISEN: HUColl: CD Instruction Type: Classroom instruction Grade Options: CPA Fees: Course Type: Ident Same As: L01 3548  L45 3548  U10 3548 Frequency: Unpredictable / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 -T-R--- 4:00P-5:30P Kemper / 103 Spivak May 8 2019 6:00PM - 8:00PM 40 13 0 Actions: Books L01 Art-Arch 5625 Global Renaissance 3.0 Units Details Save  Cancel   My Note:   Description: This course provides an overview of transcultural encounters within and beyond Europe circa 1450 to 1650. During this period, visual forms and artistic practices linked places in disparate corners of the world, such as Venice and Istanbul, Mexico City and Florence, Manila and Acapulco, Amsterdam and Agra. Focusing on cities as cosmopolitan centers of artistic production, the course will consider the mercantile networks, imperial strategies, and artistic technologies that heightened the mobility of art, as well as the local manifestations and native traditions that continually reshaped it. Students will gain a deeper understanding of the diversity of art and architecture during this period of increased cultural exchange, cultivate tools of art-historical analysis, and hone skills in presenting such analysis in written form. Attributes: A&S IQ: HUM, LCDArch: HUMArt: AH, GFAH, HUMArt-Arch: RBBU: HUM, ISEN: H Instruction Type: Classroom instruction Grade Options: CPA Fees: Course Type: Ident Same As: L01 3625 Frequency: Unpredictable / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 M-W---- 1:00P-2:30P Kemper / 103 Ryu May 8 2019 1:00PM - 3:00PM 40 12 0 Actions: Books L01 Art-Arch 585 Master's Examination Preparation Var. Units (max = 6.0) Details Save  Cancel   My Note:   Description: Guided preparation for comprehensive MA exam in lieu of thesis; intended for non-thesis MA option. May be taken for 3 or 6 hours. Attributes: Instruction Type: Independent study, tutorial, or other Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 TBA TBA [TBA] See Department 999 0 0 Actions: Books 02 TBA TBA Childs See Department 999 0 0 Actions: Books 03 TBA TBA Kleutghen See Department 999 0 0 Actions: Books 05 TBA TBA Sheren See Department 999 0 0 Actions: Books 06 TBA TBA Jones See Department 999 0 0 Actions: Books 07 TBA TBA Klein See Department 999 0 0 Actions: Books 08 TBA TBA Miller See Department 999 0 0 Actions: Books 12 TBA TBA Wallace See Department 999 0 0 Actions: Books L01 Art-Arch 590 Master's Research Instruction Var. Units (max = 6.0) Details Save  Cancel   My Note:   Description: Attributes: Instruction Type: Independent study, tutorial, or other Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 01 TBA TBA [TBA] See Department 999 0 0 Actions: Books 02 TBA TBA Childs See Department 10 0 0 Actions: Books 07 TBA TBA Klein See Department 999 0 0 Actions: Books 08 TBA TBA Miller See Department 999 0 0 Actions: Books 12 TBA TBA Wallace See Department 999 0 0 Actions: Books L01 Art-Arch 595 Qualifying Papers for the MA degree 3.0 Units Details Save  Cancel   My Note:   Description: Every student fulfilling the requirements of the MA degree in the Department of Art History and Archaeology will prepare two Qualifying Papers (QP), each 25-30 pages. Together the QPs will constitute the capstone experience of the MA degree, and a demonstration of potential for more advanced graduate work. Prereq: Art History graduate status in good standing. Attributes: Instruction Type: Independent study, tutorial, or other Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 08 TBA TBA Klein See Instructor 20 3 0 Actions: Books L01 Art-Arch 650 PhD Comprehensive Exam Preparation Var. Units (max = 6.0) Details Save  Cancel   My Note:   Description: Guided preparation of major and minor areas for PhD comprehensive exam. May be taken for 3 or 6 hours. Attributes: Instruction Type: Independent study, tutorial, or other Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 02 TBA TBA Childs See Instructor 20 2 0 Actions: Books 07 TBA TBA Klein Default - none 20 0 0 Actions: Books 08 TBA TBA Miller Default - none 20 0 0 Actions: Books 12 TBA TBA Wallace See Instructor 20 2 0 Actions: Books L01 Art-Arch 670 Dissertation Prospectus 3.0 Units Details Save  Cancel   My Note:   Description: Guided preparation of required dissertation prospectus. Attributes: Instruction Type: Independent study, tutorial, or other Grade Options: C Fees: Course Type: Home Same As: N/A Frequency: None / History Sec Days       Time Building / Room Instructor Final Exam Seats Enroll Waits 02 TBA TBA Childs See Instructor 20 0 0 Actions: Books 07 TBA TBA Klein Default - none 20 0 0 Actions: Books 08 TBA TBA Miller Default - none 20 0 0 Actions: Books 12 TBA TBA Wallace See Instructor 20 0 0 Actions: Books