| | 01 | MTWRF-- | 9:00A-10:00A | Cupples I / 111 | Nie | May 4 2017 1:00PM - 3:00PM | 14 | 5 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | MTWRF-- | 10:00A-11:00A | Cupples I / 111 | Nie | May 4 2017 1:00PM - 3:00PM | 14 | 9 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 03 | MTWRF-- | 12:00P-1:00P | Ridgley / 122 | Wang,W | May 4 2017 1:00PM - 3:00PM | 14 | 7 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 04 | MTWRF-- | 1:00P-2:00P | Ridgley / 122 | Wang,W | May 4 2017 1:00PM - 3:00PM | 14 | 10 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| A | -T----- | 9:00A-10:00A | Eads / 208 | Yan | See Department | 12 | 6 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| B | -T----- | 9:00A-10:00A | Eads / 212 | Wang | See Department | 12 | 5 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| C | -T----- | 2:30P-3:30P | Eads / 212 | Yan | See Department | 12 | 8 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| D | -T----- | 2:30P-3:30P | Eads / 207 | Wang | See Department | 12 | 7 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| E | -T----- | 4:00P-5:00P | Eads / 212 | Yan | See Department | 13 | 5 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W-F-- | 2:00P-3:00P | Ridgley / 122 | Wu | No Final | 14 | 8 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | M-W-F-- | 3:00P-4:00P | Cupples I / 216 | Mu | No Final | 14 | 6 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | -T----- | 2:30P-4:30P | Lopata Hall / 103 | Wu | No Final | 30 | 17 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W-F-- | 12:00P-1:00P | Cupples I / 218 | Mu | No Final | 14 | 3 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W-F-- | 1:00P-2:00P | Cupples I / 218 | Mu | No Final | 15 | 10 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W-F-- | 10:00A-11:00A | Eads / 207 | Chen, W | No Final | 14 | 9 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | MTWRF-- | 9:00A-10:00A | Cupples I / 216 | Qin | May 4 2017 1:00PM - 3:00PM | 14 | 3 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | MTWRF-- | 11:00A-12:00P | Eads / 207 | Chen,W | May 4 2017 1:00PM - 3:00PM | 15 | 5 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 03 | MTWRF-- | 12:00P-1:00P | Eads / 207 | Chen,W | May 4 2017 1:00PM - 3:00PM | 14 | 7 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 04 | MTWRF-- | 1:00P-2:00P | Cupples I / 111 | Qin | May 4 2017 1:00PM - 3:00PM | 14 | 4 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W-F-- | 10:00A-11:00A | Brown / 118 | Hegel | May 8 2017 10:30AM - 12:30PM | 100 | 82 | 0 | | |
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| | 01 | TBA | | TBA | Ganapathy | No Final | 100 | 17 | 0 | | |
| 02 | TBA | | TBA | Killen | See Department | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | Stiritz | No Final | 999 | 29 | 0 | Desc: | This is a 1-credit internship opportunity for undergraduates who wish to become sexuality peer educators. Teams of two to three social work students will meet an hour and a half weekly with groups of five to six undergraduates to work on teaching skills, knowledge, and attitudes involved in deepening understandings of sexuality and relationships and sharing what they have learned with peers. |
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| Description: | This course attempts to ground the history of modern China in physical space such as imperial palaces, monuments and memorials, campus, homes and residential neighborhoods, recreational facilities, streets, prisons, factories, gardens, and churches. Using methods of historical and cultural anthropological analysis, the course invests the places where we see with historical meaning. Through exploring the ritual, political, and historical significance of historical landmarks, the course investigates the forces that have transformed physical spaces into symbols of national, local, and personal identity. The historical events and processes we examine along the way through the sites include the changing notion of rulership, national identity, state-building, colonialism and imperialism, global capitalism and international tourism. Acknowledging and understanding the fact that these meanings and significances are fluid, multiple, contradictory, and changing over time are an important concern of this course. |
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| | 01 | -T-R--- | 10:00A-11:30A | Eads / 204 | Miles | May 9 2017 6:00PM - 8:00PM | 30 | 28 | 0 | | |
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| | 01 | -T-R--- | 11:30A-1:00P | Eads / 103 | Chen, L | No Final | 45 | 30 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | Romance is a popular theme in cinema. Since the early silent "Laborer's Love," Chinese filmmakers have created love stories on the silver screen in diverse genres, aesthetics, and cultural perspectives. The "romantic" film lens not only follows popular narratives in general but also intervenes modern Chinese culture in significant historical moments. This course explores the romantic representations in Chinese-language cinema from the 1920s to the contemporary. We will discuss topics of love, sexuality, emotion, personal memories, and historical legacies in a wide range of films from Mainland China, Hong Kong, and Taiwan, including works of silent cinema, leftist cinema, new wave cinema, transnational cinema, and slow cinema. All lectures, discussions, and assignments will be in English. Film materials will be provided with English subtitles. Film screenings on Tuesday. |
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| | A | -T----- | 4:00P-6:00P | Eads / 207 | Wen | Default - none | 15 | 4 | 0 | | | |
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| | 01 | MTWRF-- | 10:00A-11:00A | Eads / 116 | Wang,J | May 4 2017 1:00PM - 3:00PM | 14 | 4 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | MTWRF-- | 11:00A-12:00P | Eads / 116 | Wang,J | May 4 2017 1:00PM - 3:00PM | 14 | 3 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 03 | MTWRF-- | 12:00P-1:00P | Eads / 116 | Wang,J | May 4 2017 1:00PM - 3:00PM | 14 | 9 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | Considered by many to be the pinnacle of Chinese vernacular fiction, the sprawling novel The Dream of the Red Chamber (Honglou meng) follows the fortunes of a peculiar young man, Jia Baoyu, as his once elite family crumbles around him. This beloved novel, published in 1791 and known also as The Story of the Stone, has had an outsized impact on Chinese culture for well over two centuries, inspiring TV and movie adaptations, and even amusement parks. The course is largely discussion based, with periodic short writing assignments. Topics of discussion will be wide-ranging but will include Qing dynasty society, the literary representation of sex and gender, the distinction between fiction and non-fiction, and the generic conventions of the late imperial vernacular novel. Previous experience with Chinese literature and history is recommended but not required. Taught in English. |
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| | 01 | M-W---- | 11:30A-1:00P | Eads / 203 | Wille | No Final | 20 | 12 | 0 | | |
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| | 01 | TBA | | TBA | TBA | See Instructor | 0 | 0 | 0 | | |
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| | 01 | M-W-F-- | 2:00P-3:00P | Eads / 102 | Liang | May 4 2017 1:00PM - 3:00PM | 10 | 8 | 0 | | |
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| Description: | The Body! There is probably no other phenomenon in the world that is as directly experienceable and tangible as our own physique, yet at the same time disconcerts and remains opaque to us due to its oftentimes unforeseeable and hardly controllable responses. In this course, we won't try to conclusively solve the question about what the corpus truly is. Instead, we will use the diversity of responses our body has triggered throughout human history and engage in conceptualizations of sex, body, and gender that are quite distinct to our modern-day perceptions. In particular, we will explore early and medieval Daoist visions of the corpus as a microreplica of the cosmos and its impact on various practices such as Inner Alchemy, Techniques of the Bed Chamber, Chinese medicine and mountain-and-water paintings. We will use these perspectives as an opportunity to question our own understandings that are mainly influenced by a dichotomy between the body and soul/psyche as developed in a Euro-Christian context and its materialization in the modern disciplines of medicine and psychology. In other words, we will delve into Daoist conceptualizations of sex, body, and gender in order to understand the emphases and some of the limitations of our own preconceived notions that are far from being universal or exhaustive, yet, heavily determine our actions. |
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| | 01 | M-W---- | 4:00P-5:30P | Busch / 202 | Zuern | May 5 2017 6:00PM - 8:00PM | 25 | 19 | 0 | | |
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| | 01 | MTWRF-- | 12:00P-1:00P | Eads / 116 | Wang,J | May 4 2017 1:00PM - 3:00PM | 2 | 1 | 0 | | |
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| Description: | This course inquires into the political, ideological, and social frameworks that shaped the cultural production and consumption in the People's Republic of China (PRC). In the realm of literature, film, architecture, and material culture and everyday life, this course pays a close attention to the contestation and negotiation between policy makers, cultural producers, censors, and consumers. Understanding the specific contour of how this process unfolded in China allows us to trace the interplay between culture and politics in the formative years of revolutionary China (1949-1966), high socialism (1966-1978), the reform era (1978-1992), and post-socialist China (1992 to present). The course examines new scholarship in fields of social and cultural history, literary studies, and gender studies; and it explores the ways in which new empirical sources, theoretical frameworks, and research methods reinvestigate and challenge conventional knowledge of the PRC that have been shaped by the rise and fall of Cold War politics, the development of area studies in the U.S., and the evolving U.S.-China relations. Prerequisites: Advanced undergraduate students must have taken no fewer than two China-related courses at the 300-level or higher. Graduate students should be proficient in scholarly Chinese, as they are expected to read scholarly publications and primary materials in Chinese. |
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| | 01 | M-W-F-- | 11:00A-12:00P | Ridgley / 122 | Wang,W | May 4 2017 1:00PM - 3:00PM | 12 | 6 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 02 | M-W-F-- | 12:00P-1:00P | Eads / 102 | Liang | May 4 2017 1:00PM - 3:00PM | 12 | 9 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 03 | M-W-F-- | 1:00P-2:00P | Eads / 102 | Liang | May 4 2017 1:00PM - 3:00PM | 12 | 6 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | This course explores the theme of madness in modern Chinese literature, cinema, and visual arts. We will discuss the mad characters, manic revolutions, melancholy places, modernist discontents, colonial disorders, stories of obsessiveness, and many more representations of madness in Chinese literature and visual culture. Some works offer provocative social critique. Others depict emotional trauma, identity crisis, and feelings of alienation. Still others challenge aesthetic norms. We will examine significant works, such as fictions by Lu Xun, Nie Hualing, Can Xue, and Zhang Guixing, films by Zhang Yimou, Tsai Ming-liang, and Jia Zhangke, and also text and images in poetry, art, and documentary. All course materials are in English. Prerequisite: none.
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| Description: | In this course, we will read a broad range of literary works written by ethnic Chinese from various parts of the world. We will examine the notion of "Sinophone," primarily its implications to the challenge of cultural identity formation to those Chinese who are not traditionally identified as "Chinese" because of war, migration, immigration, colonialism, among others. We will also examine the meaning of being on the margins of geopolitical nation-states. Finally we will discuss the notions of hybridity and authenticity vis-à-vis literary representation. We will read works by ethnic Chinese writers from the United States, France, Taiwan, Hong Kong, Singapore, Malaysia, Mongolia, Tibet, and so on. This course is limited to seniors and graduate students only. All readings will be available in English. 3 units. Active class participation is required. |
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| | 01 | M-W-F-- | 11:00A-12:00P | Cupples I / 111 | Nie | May 4 2017 1:00PM - 3:00PM | 12 | 5 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | TBA | | TBA | TBA | See Department | 0 | 0 | 0 | | |
| 02 | TBA | | TBA | TBA | See Department | 0 | 0 | 0 | | |
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| | 04 | TBA | | See Dept / | Hegel | See Department | 0 | 0 | 0 | | |
| 06 | TBA | | See Dept / | Ma | See Department | 0 | 0 | 0 | | |
| 07 | TBA | | See Dept / | Mu | See Department | 0 | 0 | 0 | | |
| 08 | TBA | | See Dept / | Nie | See Department | 0 | 0 | 0 | | |
| 09 | TBA | | See Dept / | Wang, W | See Department | 0 | 0 | 0 | | |
| 10 | TBA | | See Dept / | Wu | See Instructor | 0 | 0 | 0 | | |
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| | 02 | TBA | | See Dept / | Chen, W | See Department | 0 | 0 | 0 | | |
| 06 | TBA | | See Dept / | Ma | See Department | 0 | 0 | 0 | | |
| 07 | TBA | | See Dept / | Mu | See Department | 0 | 0 | 0 | | |
| 08 | TBA | | See Dept / | Nie | See Department | 0 | 0 | 0 | | |
| 09 | TBA | | See Dept / | Wang, W | See Department | 0 | 0 | 0 | | |
| 10 | TBA | | See Dept / | Wu | See Department | 0 | 0 | 0 | | |
| 11 | TBA | | See Dept / | Wen | Default - none | 2 | 2 | 0 | | |
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| | 02 | TBA | | TBA | TBA | See Department | 0 | 0 | 0 | | |
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| | 01 | TBA | | TBA | Chen | Default - none | 0 | 0 | 0 | | |
| 02 | TBA | | TBA | Grant | Default - none | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | Hegel | Default - none | 0 | 0 | 0 | | |
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