| | 01 | M------ | 3:00P-4:30P | Seigle / 306 | Toliver-Diallo | See instructor | 30 | 19 | 0 | | |
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| | 01 | MT-R--- | 11:30A-1:00P | Eads / 14 | Mutonya | Dec 13 2018 1:00PM - 3:00PM | 17 | 14 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | The goal of this course is to provide a glimpse into how youth reshape African society. Whether in North Africa with the Arab Spring, in West Africa with university strikes, or in East Africa through a linguistic full bloom, youth have been shaping social responses to societies for a long period. In this course, we will study social structures, including churches, NGOs, developmental agencies as well as learn about examples of Muslim youth movements, and the global civil society. The course will also explore how youth impact cultural movements in Africa and how they influence the world. In particular, we will examine Hip-Hop movements, sports, and global youth culture developments that center on fashion, dress, dance, and new technologies. By the end of the course, students will have enriched ideas about youth in Africa and ways to provide more realistic comparisons to their counterparts in the United States. |
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| | 01 | -T-R--- | 2:30P-4:00P | Seigle / 303 | DIALLO | Dec 19 2018 3:30PM - 5:30PM | 20 | 18 | 0 | Desc: | This course is for Freshman only. |
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| | 01 | -T-R--- | 11:30A-1:00P | Seigle / 205 | Morrison | Dec 17 2018 10:30AM - 12:30PM | 20 | 11 | 0 | Desc: | First Year Seminar - First Year Students ONLY |
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| Description: | James Bond, in Casino Royale, introduces us to Africa with a group of men betting on a fight between a mongoose and a snake; Hotel Rwanda creates an Africa of beautiful landscapes marred by the violence of genocide; Casablanca positions Africa as the site of wartime fantasy, intrigue and romance. These imaginary Africas, however, obscure the continent's irreducible complexity. As many as 3,000 languages are spoken across Africa's 54 countries, each defined by a unique blend of urban and rural cultures. The people of the Central African country of Chad belong to more than 100 ethnic groups. From their regional affiliations to their sociocultural perspectives, Africa's writers are no less diverse, its literary traditions no less dynamic. By examining texts from various genres and regions, we will trace the development of African literature by considering its roots in the oral traditions and colonial history of the continent, its role in the articulation of African subjectivity on the road to independence, its response to the challenges of the post-independence era, and its present-day stronghold within the global literary marketplace. Readings will include works by Ferdinand Oyono, Nadine Gordimer, Ousmane Sembène, Assia Djebar, Chinua Achebe, Chimamanda Ngozi Adichie, and Dinaw Mengestu, among others. No prior knowledge of the literature of Africa is required. |
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| | 01 | M-W---- | 2:30P-4:00P | Eads / 203 | Mutonya | No final | 15 | 4 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W---- | 1:00P-2:30P | Seigle / 303 | Manditch-Prottas | Default - none | 20 | 18 | 0 | | |
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| Description: | Sophomores receive priority registration. The history of slavery has long created a sense of unease within the consciousness of many Americans. Recognizing this continued reality, this seminar examines how slavery is both remembered and silenced within contemporary popular culture. Although slavery scholarship continues to expand, how do everyday Americans gain access to the history of bondage? Taking an interdisciplinary approach to these intriguing queries, we will examine a range of sources: literature, public history, art/poetry, visual culture, movies and documentaries, as well as contemporary music including reggae and hip hop. The centerpiece of this course covers North American society, however, in order to offer a critical point of contrast students will be challenged to explore the varied ways slavery is commemorated in others parts of the African Diaspora. |
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| | 01 | -T-R--- | 4:00P-5:30P | Mallinckrodt / 303 | Himes | Dec 19 2018 6:00PM - 8:00PM | 14 | 12 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W---- | 5:00P-6:30P | Seigle / L002 | Parsons | Paper/Project/TakeHome | 15 | 9 | 0 | Desc: | A VIEW FROM THE BARRACKS: Armies tend to mirror the societies that produce them. Privileged groups and classes generally serve as officers and escape dangerous service on the frontlines. This seminar explores the social implications of military service and the use of armed force by both private groups and states in African history. The course covers African military institutions in the pre-colonial, colonial, and modern eras, and focuses on the creation, employment and influence of African soldiers. PREREQUISITE: NONE. Modern, Africa. This section is crosslisted with L90 3013. |
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| Description: | Nearly fifty percent of Africa's population now lives in urban areas. By 2050 this number is expected to triple to 1.23 billion or what will then be sixty percent of the continent's total population. This urban growth is happening alongside rapid economic expansion, technological innovations, and-in some cities-political insurrection. Many of these developments are taking place in peripheral urban areas that lack formal planning, basic infrastructure, and security. Yet, as many theorists point out, the very lack of cohesive planning and stable infrastructure in urban Africa has produced flexible spaces where novel forms of dwelling, work, and leisure are possible. Many residents, often by necessity, rearrange their built environments to make the city function beyond the limits of its original design. In the process, urban dwellers produce new built spaces, aesthetics, and economic practices, calling into question assumptions about what a city is and how it works. What are the implications of Africa's urban revolution for both the people who inhabit these cities and the world at large? How will Africa's urban future shape what some theorists are calling "the African century?" What can contemporary cities across the continent tell us about the future of urban life everywhere? In this seminar, we will explore these questions by surveying a variety of case studies and topics from across the African continent. The purpose in focusing on Africa in general is not to homogenize an incredibly diverse continent, but to make connections across a variety of different contexts in order to explore conceptual debates and assemble a theoretical tool-kit that is useful for grappling with themes that are simultaneously abstract and concrete. |
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| | 01 | -T-R--- | 4:00P-5:30P | Seigle / 303 | DIALLO | Dec 19 2018 6:00PM - 8:00PM | 20 | 11 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | Rum! Fun! Beaches! Sun! This is the image of the Caribbean in America today. This course will survey literature and culture from these islands, looking both at and beyond this tourists' paradise. It will aim to introduce students to the region's unmistakably vibrant tradition of multicultural mixture, while keeping an eye on the long history of slavery and rebellion out of which the islands' contemporary situation formed. Along the way we will encounter a wide variety of texts, from the earliest writing focused on life in urban slums, to the first novel ever to have a Rastafarian as its hero, to more contemporary considerations of the region's uncertain place in a U.S.-dominated world. Toward the end of the course, we will also look at important films like The Harder They Come as well as discussing the most globally famous cultural product of the contemporary Caribbean: reggae music. The course will involve readings from multiple genres, and will cover authors such as C.L.R. James, Derek Walcott, Jean Rhys, V.S. Naipaul, Jamaica Kincaid, and Caryl Phillips. Satisfies the Twentieth Century and later requirement. |
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| | 01 | M-W---- | 1:00P-2:30P | Seigle / 306 | Parsons | No final | 15 | 22 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W---- | 1:00P-2:30P | Seigle / 206 | Fenderson | See instructor | 23 | 18 | 0 | | |
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| Description: | This course explores two distinct themes: how African descended people have been depicted in American and British children's literature and how African Americans have established a tradition in writing for children and young adults. It will also examine two related questions: How has African American childhood been constructed in children's literature and how have African American writers constructed childhood in children's literature? We will look at such classic white writers for children like Helen Bannerman, Annie Fellows Johnston, and Mark Twain as well as efforts by blacks like the Brownies Book, published by the NAACP, and children's works by black writers including Langston Hughes, Ann Petry, Shirley Graham Du Bois, Arna Bontemps, Virginia Hamilton, Walter Dean Myers, Mildred Taylor, Floyd and Patrick McKissack, Julius Lester, Rosa Guy, Sharon Bell Mathis, bell hooks, and others. |
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| | 01 | -T-R--- | 1:00P-2:30P | Seigle / 204 | McCune | Dec 18 2018 1:00PM - 3:00PM | 26 | 26 | 0 | | |
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| Description: | This course is based within African and African American studies, and it explores the quest for racial reconciliation, with emphasis equally divided between the United States and racial strife in other parts of the world. Although racial considerations are inherent to central themes within this course, we explore various sources of linguistic, cultural, social, political, racial, and ethnic foundations of strife at different points in history, and in different regions of the world. Particular attention will be devoted to nonpartisan strategies to advance racial harmony within the United States, and other regions of the world that are of personal interest to students. |
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| Description: | This course examines major themes in the history of the Caribbean from the fifteenth to the twentieth century. The first half of the course will focus on the fifteenth to the nineteenth century, exploring issues such as indigenous societies, European encounter and conquest, plantation slavery, the resistance of enslaved Africans and emancipation. The remainder of the course focuses on aspects of the cultural, economic, political and social experiences of Caribbean peoples during the twentieth century. Major areas of inquiry include the labor rebellions of the 1930s, decolonization, diasporic alliances, Black Power, identity construction and the politics of tourism. While the English-speaking Caribbean constitutes the main focus, references will be made to other areas such as Cuba and Haiti. Additionally, the Caribbean will be considered in a multilayered way with a view to investigating the local (actors within national boundaries), the regional (historical events that have rendered the region a unit of analysis) and the global (larger globalizing forces such as capitalism, colonialism, migration and slavery that have made the Caribbean central to world history). PREREQUISITE: Sophomore standing or permission of the instructor. Modern, Caribbean. |
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| Description: | When someone says, black woman writer, you may well think of Nobel Prize winner Toni Morrison. But not long ago, to be a black woman writer meant to be considered an aberration. When Thomas Jefferson wrote that Phillis Wheatley's poems were "beneath the dignity of criticism," he could hardly have imagined entire Modern Language Association sessions built around her verse, but such is now the case.
In this class we will survey the range of Anglophone African American women authors. Writers likely to be covered include Phillis Wheatley, Harriet Wilson, Nella Larsen, Lorraine Hansberry, Octavia Butler, and Rita Dove, among others. Be prepared to read, explore, discuss, and debate the specific impact of race and gender on American literature. |
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| | 01 | -T-R--- | 10:00A-11:30A | Seigle / 305 | Zafar | Dec 18 2018 6:00PM - 8:00PM | 20 | 19 | 0 | | |
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| Description: | From Cross Colours overalls, to oversized sweatshirts, to boom boxes, the 1990s was loud, colorful, and in your face. But along with the fun of house parties and the growing prominence of hip-hop, black people in the U.S. also contended with heightened criminalization and poverty codified through the War on Drugs, welfare reform, police brutality, and divestment from public education. In the midst of insurgency, creativity, and the quiet that undergirded both, we will study the various cultural productions of black performers and consumers as they navigated the social and political landscapes of the 1990s. Focusing primarily on urban centers, we will study major works growing out of hip-hop, R&B, comedy, television shows, films, and popular literature that attends to the regional differences throughout the nation. In this course, we will use theories from performance and cultural studies to understand the specificities of blackness, gender, sexuality, religion, and geography in the 1990s. |
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| | 01 | M-W---- | 2:30P-4:00P | Umrath / 140 | Rhaisa Williams | Dec 17 2018 3:30PM - 5:30PM | 35 | 31 | 0 | | |
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| | 03 | TBA | | TBA | Mutonya | No final | 3 | 0 | 0 | | |
| 04 | TBA | | TBA | Parsons | No final | 0 | 1 | 0 | | |
| 06 | TBA | | TBA | Duncan | No final | 0 | 0 | 0 | | |
| 07 | TBA | | TBA | DIALLO | No final | 1 | 0 | 0 | | |
| 08 | TBA | | TBA | Fenderson | No final | 0 | 0 | 0 | | |
| 10 | TBA | | TBA | Parikh | No final | 1 | 1 | 0 | | |
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| Description: | This advanced Swahili language course is designed for learners who have attained the equivalent of Intermediate level Swahili and wish to perfect their knowledge of the language while developing skills in independent reading. Learners will be introduced to a variety of fiction and non-fiction texts in Swahili such as children's stories, songs, short stories, speeches, newspaper articles, poetry, plays, and novellas. Learners will gain experience by practicing own productions of the various genres plus presenting reviews and translations of assigned texts. Learners will continue to interact meaningfully with Swahili speakers in St. Louis during community-based learning at the refugee school and elsewhere. Prereqs: Permission of instructor and successful completion of AFAS 103D, 104D, 203D, 204D or equivalent experience. |
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| | 01 | ---R--- | 2:30P-5:00P | McMillan / 219 | Mutonya | No final | 8 | 2 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | In the year 2000, HIV became the world's leading infectious cause of adult death, and in the next ten years, AIDS will kill more people than all wars of the twentieth century combined. As the global epidemic rages on, our greatest enemy in combating HIV/AIDS is not knowledge or resources, but global inequalities and the conceptual frameworks with which we understand health, human interaction, and sexuality. This course emphasizes the ethnographic approach for cultural analysis of responses to HIV/AIDS. Students will explore the relationship between local communities and wider historical and economic processes, and theoretical approaches to disease, the body, ethnicity/race, gender, sexuality, risk, addiction, power, and culture. Other topics covered include the cultural construction of AIDS and risk, government responses to HIV/AIDS, origin and transmission debates, ethics and responsibilities, drug testing and marketing, the making of the AIDS industry and "risk" categories, prevention and education strategies, interaction between bio-medicine and alternative healing systems, and medical advances and hopes. |
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| | 01 | M-W---- | 11:30A-1:00P | Simon / 1 | Parikh | Dec 18 2018 10:30AM - 12:30PM | 250 | 239 | 0 | | |
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| Description: | Newscasters, pundits, pollsters, analysts and even politicians often think of African Americans as a monolithic population, held together by a uniform set of beliefs that run steady across the entire community. However, this simply is not the case. When it comes to politics and political thought, African Americans, and those who make up the Black population in the United States, exhibit a broad range of intra-racial diversity. Manifested along the fault lines of class, gender, age, ideology, and a number of other factors, the complexity of Black political thought is built upon the structure of both African American communities and the larger American political landscape. This course will explore the contours of Black political thought in the United States, while paying close attention to various ideologies, pivotal historical moments and major debates shaping the course of African-American political life. |
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| | 01 | M-W---- | 10:00A-11:30A | Seigle / 305 | Fenderson | See instructor | 19 | 19 | 0 | | |
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| | 01 | -T-R--- | 2:30P-4:00P | Seigle / 210 | Ake, Ward | Paper/Project/TakeHome | 0 | 19 | 0 | | |
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| | 02 | TBA | | TBA | Phillips | No final | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | Mutonya | No final | 0 | 0 | 0 | | |
| 04 | TBA | | TBA | Parsons | No final | 0 | 0 | 0 | | |
| 06 | TBA | | TBA | Duncan | No final | 0 | 0 | 0 | | |
| 07 | TBA | | TBA | Bernstein | No final | 1 | 0 | 0 | | |
| 10 | TBA | | TBA | Parikh | No final | 1 | 0 | 0 | | |
| 11 | TBA | | TBA | Maxwell | No final | 0 | 0 | 0 | | |
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| | 02 | TBA | | TBA | Phillips | See department | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | Mutonya | See department | 0 | 0 | 0 | | |
| 04 | TBA | | TBA | Parsons | See department | 0 | 0 | 0 | | |
| 05 | TBA | | TBA | Zafar | See department | 0 | 0 | 0 | | |
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| 08 | TBA | | TBA | Fenderson | See department | 1 | 1 | 0 | | |
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| 10 | TBA | | TBA | Parikh | See department | 0 | 0 | 0 | | |
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| 12 | TBA | | TBA | Baugh | See department | 0 | 0 | 0 | | |
| 13 | TBA | | TBA | Himes | See department | 0 | 0 | 0 | | |
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| 03 | TBA | | TBA | Mutonya | No final | 0 | 0 | 0 | | |
| 04 | TBA | | TBA | Parsons | No final | 0 | 0 | 0 | | |
| 06 | TBA | | TBA | Duncan | No final | 0 | 0 | 0 | | |
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| 14 | TBA | | TBA | DIALLO | See instructor | 0 | 0 | 0 | | |
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