| | 01 | M------ | 4:00P-5:30P | Seigle / 106 | Toliver-Diallo | See instructor | 30 | 16 | 0 | | |
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| | 01 | MT-R--- | 11:30A-1:00P | McMillan / 219 | Mutonya | Dec 14 2017 1:00PM - 3:00PM | 16 | 15 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | This course will introduce students to using fashion as a lens to unpack race and representation in popular culture. Each week's theme - Fashioning the Black Body, Slavery and Clothing, Clothing and Black Freedom Struggles, Fashion and Jazz and Hip Hop, Black Grooming and Beauty for the Masses and more - intersects with discourses surrounding gender and sexuality, performance, sociology, musicology and more challenging students to rethink how we see and discuss the black body in the mainstream. What does it mean for race to be used a trend in American fashion? How did African Americans use clothing and grooming to proclaim in their communities and in the mainstream that they were beautiful? How was clothing used during American slavery to denote racial and class lines? How did African Americans use clothing in freedom struggles from the Civil Rights Movement to Black Lives Matter as a mode of communication? What role did hip hop play in shaping both the American fashion industry and mainstream perceptions of black life? How have mainstream fashion publications, clothing brands and more perpetuated and appropriated stereotypes of black life? How did black fashion publications introduce new images of black femininity into the mainstream? Using primary sources and texts on fashion theory, representation and African American history, this course explores these inquiries into how fashion shapes race and how African Americans have used fashion as a site for reclamation in an effort to subvert tropes and establish agency. |
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| | 01 | -T-R--- | 2:30P-4:00P | Umrath / 140 | Byrd | Dec 20 2017 3:30PM - 5:30PM | 20 | 17 | 0 | | |
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| Description: | The goal of this course is to provide a glimpse into how youth reshape African society. Whether in North Africa with the Arab Spring, in West Africa with university strikes, or in East Africa through a linguistic full bloom, youth have been shaping social responses to societies for a long period. In this course, we will study social structures, including churches, NGOs, developmental agencies as well as learn about examples of Muslim youth movements, and the global civil society. The course will also explore how youth impact cultural movements in Africa and how they influence the world. In particular, we will examine Hip-Hop movements, sports, and global youth culture developments that center on fashion, dress, dance, and new technologies. By the end of the course, students will have enriched ideas about youth in Africa and ways to provide more realistic comparisons to their counterparts in the United States. |
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| | 01 | -T-R--- | 2:30P-4:00P | Seigle / 106 | DIALLO | Dec 20 2017 3:30PM - 5:30PM | 25 | 23 | 0 | Desc: | This course is for Freshman only. |
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| | 01 | M-W---- | 2:30P-4:00P | Seigle / 306 | Mutonya | No final | 15 | 6 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | The course provides an overview of the field Africana Studies and provides analysis of the lives and thoughts of people of African ancestry on the African continent and throughout the world. In this course we will also examine the contributions of Africana Studies to other disciplines. The course takes an interdisciplinary approach drawing from history, philosophy, sociology, political studies, literature, and performance studies and will draw examples from Africa, the United States, the Caribbean, Europe, and South America. When possible, we will explore Diaspora relationships and explore how the African presence has transformed societies throughout the world. This class will focus on both classic texts and modern works that provide an introduction to the dynamics of African American and African Diaspora thought and practice. |
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| | 01 | M-W---- | 1:00P-2:30P | Seigle / 301 | Fenderson, Bedasse | Dec 20 2017 1:00PM - 3:00PM | 40 | 43 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | M-W---- | 10:00A-11:30A | TBA | Mustakeem | Default - none | 1 | 0 | 0 | | |
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| | 01 | -T-R--- | 4:00P-5:30P | Louderman / 461 | Himes | Dec 20 2017 6:00PM - 8:00PM | 14 | 12 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | Nearly fifty percent of Africa's population now lives in urban areas. By 2050 this number is expected to triple to 1.23 billion or what will then be sixty percent of the continent's total population. This urban growth is happening alongside rapid economic expansion, technological innovations, and-in some cities-political insurrection. Many of these developments are taking place in peripheral urban areas that lack formal planning, basic infrastructure, and security. Yet, as many theorists point out, the very lack of cohesive planning and stable infrastructure in urban Africa has produced flexible spaces where novel forms of dwelling, work, and leisure are possible. Many residents, often by necessity, rearrange their built environments to make the city function beyond the limits of its original design. In the process, urban dwellers produce new built spaces, aesthetics, and economic practices, calling into question assumptions about what a city is and how it works. What are the implications of Africa's urban revolution for both the people who inhabit these cities and the world at large? How will Africa's urban future shape what some theorists are calling "the African century?" What can contemporary cities across the continent tell us about the future of urban life everywhere? In this seminar, we will explore these questions by surveying a variety of case studies and topics from across the African continent. The purpose in focusing on Africa in general is not to homogenize an incredibly diverse continent, but to make connections across a variety of different contexts in order to explore conceptual debates and assemble a theoretical tool-kit that is useful for grappling with themes that are simultaneously abstract and concrete. |
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| | 01 | -T-R--- | 2:30P-4:00P | Seigle / 306 | Shearer | Default - none | 25 | 9 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | -T-R--- | 4:00P-5:30P | Seigle / 106 | DIALLO | Dec 20 2017 6:00PM - 8:00PM | 16 | 16 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | The academic study of urban inequality proceeds from the understanding that: 1) cities are deeply unequal, especially when considered in terms of race and class; 2) rather than being random or natural, urban inequality is the product of human ideas, policies, and practices; and 3) urban inequality has substantial and enduring impacts on city life and life chances, especially for racial minorities and the poor. Echoing these general themes, this course closely examines the causes, development, and
consequences of urban inequality in the U.S. context. In order to explore U.S. urban inequality most clearly, the course focuses on the African-American urban experience and what has variously been called the "black belt," the inner city, and, most importantly, the ghetto. The scope is still national, though, with analyses of New York, Philadelphia, Baltimore, D.C., Detroit, Chicago, New Orleans, Oakland, and St. Louis, among other cities. The course primarily draws from sociology and history but also includes insights from anthropology, political science, criminology, and law, among other disciplines. |
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| | 01 | M-W---- | 1:00P-2:30P | Seigle / 306 | Parsons | No final | 15 | 17 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | How does an attention to contemporary black artistic practices animate activism of the Black Lives Matter movement? How might we document and theorize black aesthetics in relationship to black politics? This course considers these questions by examining contemporary art practices that champion black humanity, and intervene in anti-black racism in the criminal justice system, housing, education, employment, and everyday life. We observe black aesthetics in practices such as poetry, performance art, theater, dance, music, photography, film, and visual art. We study foundational and contemporary critical theory invested in black politics, black feminism, black resilience, black excellence, and black joy. We also engage with St. Louis artists, and practice producing artistic work, including a performance or action, a song or poem, and visual artwork or short film. No artistic experience is required. Texts of study include: Force Continuum by Kia Corthron; An Octoroon and Appropriate by Branden Jacobs-Jenkins, A Seat at the Table by Solange; as well as visual art, poetry, and film by St. Louis-based artists. |
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| Description: | The black athlete is a central figure in American entertainment, and has been since Frederick Douglass decried Christmastime slave games in his Narrative. This course will examine literary depictions of black athletes-in novels, memoirs, essays, and poems-in order to better understand the cultural significance of sportsmen and women in the African American struggle for equality, from abolitionism to the "Black Lives Matter" movement. We will read works by Douglass, Ralph Ellison, Maya Angelou, and John Edgar Wideman, among others, and examine the lives and athletic pursuits of prominent athletes such as Jackie Robinson, Muhammad Ali, Wilma Rudolph, Michael Jordan, and LeBron James. Popular perceptions of gender and sexuality, in addition to race and racism, will factor into our readings, especially as students incorporate secondary sources into their own research. |
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| Description: | This course examines major themes in the history of the Caribbean from the fifteenth to the twentieth century. The first half of the course will focus on the fifteenth to the nineteenth century, exploring issues such as indigenous societies, European encounter and conquest, plantation slavery, the resistance of enslaved Africans and emancipation. The remainder of the course focuses on aspects of the cultural, economic, political and social experiences of Caribbean peoples during the twentieth century. Major areas of inquiry include the labor rebellions of the 1930s, decolonization, diasporic alliances, Black Power, identity construction and the politics of tourism. While the English-speaking Caribbean constitutes the main focus, references will be made to other areas such as Cuba and Haiti. Additionally, the Caribbean will be considered in a multilayered way with a view to investigating the local (actors within national boundaries), the regional (historical events that have rendered the region a unit of analysis) and the global (larger globalizing forces such as capitalism, colonialism, migration and slavery that have made the Caribbean central to world history). Modern, Caribbean. PREREQUISITE: Sophomore standing or permission of the instructor. |
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| | 03 | TBA | | TBA | Mutonya | No final | 3 | 0 | 0 | | |
| 04 | TBA | | TBA | Parsons | No final | 0 | 0 | 0 | | |
| 06 | TBA | | TBA | Duncan | No final | 0 | 1 | 0 | | |
| 07 | TBA | | TBA | DIALLO | No final | 1 | 0 | 0 | | |
| 08 | TBA | | TBA | Fenderson | No final | 0 | 0 | 0 | | |
| 10 | TBA | | TBA | Parikh | No final | 1 | 1 | 0 | | |
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| Description: | This advanced Swahili language course is designed for learners who have attained the equivalent of Intermediate level Swahili and wish to perfect their knowledge of the language while developing skills in independent reading. Learners will be introduced to a variety of fiction and non-fiction texts in Swahili such as children's stories, songs, short stories, speeches, newspaper articles, poetry, plays, and novellas. Learners will gain experience by practicing own productions of the various genres plus presenting reviews and translations of assigned texts. Learners will continue to interact meaningfully with Swahili speakers in St. Louis during community-based learning at the refugee school and elsewhere. Prereqs: Permission of instructor and successful completion of AFAS 103D, 104D, 203D, 204D or equivalent experience. |
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| | 01 | ---R--- | 2:30P-5:00P | McMillan / 219 | Mutonya | No final | 8 | 3 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | Taking ghost as apparition, metaphor, an imaginary, and type of possession, this course focuses on
the intersections between performance, affect theory, and archival practice to investigate how
scholars and artists contend with the psychic and affective terrors against blackness. Part of these
terrors, the course asserts, happened and is happening in the realm of the affective, ephemeral, and
archival. Moving across theoretical works, literature, and theater, our readings differently query: how
can performance enable us to recuperate the lives of those violently erased from the archive? How
to imagine embodiment for subjects "tracked" by history, such as black folks whose bodies suggest
other forms of pathology, like sexual deviancy, mentally "insanity," and other forms of
criminalization? How have attachments to ghosts been used as a methodology to stage and reperform
blackness in the past and in the present? And lastly, how can we capture embodiment (or
enfleshment) without live bodies? By rethinking "liveness," "absence," "loss," and "remains," the
readings and discussions will offer performance as a methodological and analytical infrastructure to
conduct historical and/or archival research. |
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| | 01 | --W---- | 3:00P-6:00P | Simon / 023 | Rhaisa Williams | Dec 14 2017 6:00PM - 8:00PM | 15 | 6 | 0 | | |
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| Description: | Newscasters, pundits, pollsters, analysts and even politicians often think of African Americans as a monolithic population, held together by a uniform set of beliefs that run steady across the entire community. However, this simply is not the case. When it comes to politics and political thought, African Americans, and those who make up the Black population in the United States, exhibit a broad range of intra-racial diversity. Manifested along the fault lines of class, gender, age, ideology, and a number of other factors, the complexity of Black political thought is built upon the structure of both African American communities and the larger American political landscape. This course will explore the contours of Black political thought in the United States, while paying close attention to various ideologies, pivotal historical moments and major debates shaping the course of African-American political life. |
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| | 02 | TBA | | TBA | Phillips | No final | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | Mutonya | No final | 0 | 0 | 0 | | |
| 04 | TBA | | TBA | Parsons | No final | 0 | 0 | 0 | | |
| 06 | TBA | | TBA | Duncan | No final | 0 | 0 | 0 | | |
| 07 | TBA | | TBA | Bernstein | No final | 1 | 0 | 0 | | |
| 10 | TBA | | TBA | Parikh | No final | 1 | 0 | 0 | | |
| 11 | TBA | | TBA | Maxwell | No final | 0 | 0 | 0 | | |
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| | 02 | TBA | | TBA | Phillips | See department | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | Mutonya | See department | 0 | 0 | 0 | | |
| 04 | TBA | | TBA | Parsons | See department | 0 | 0 | 0 | | |
| 05 | TBA | | TBA | Zafar | See department | 0 | 0 | 0 | | |
| 06 | TBA | | TBA | Duncan | See department | 0 | 0 | 0 | | |
| 07 | TBA | | TBA | Bernstein | See department | 0 | 0 | 0 | | |
| 08 | TBA | | TBA | [TBA] | See department | 0 | 0 | 0 | | |
| 09 | TBA | | TBA | [TBA] | See department | 0 | 0 | 0 | | |
| 10 | TBA | | TBA | Parikh | See department | 0 | 0 | 0 | | |
| 11 | TBA | | TBA | Maxwell | See department | 0 | 0 | 0 | | |
| 12 | TBA | | TBA | Baugh | See department | 0 | 0 | 0 | | |
| 13 | TBA | | TBA | Himes | See department | 0 | 0 | 0 | | |
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| | 02 | TBA | | TBA | Phillips | No final | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | Mutonya | No final | 0 | 0 | 0 | | |
| 04 | TBA | | TBA | Parsons | No final | 0 | 0 | 0 | | |
| 06 | TBA | | TBA | Duncan | No final | 0 | 0 | 0 | | |
| 07 | TBA | | TBA | Bernstein | No final | 0 | 0 | 0 | | |
| 10 | TBA | | TBA | Parikh | No final | 0 | 0 | 0 | | |
| 11 | TBA | | TBA | Maxwell | No final | 0 | 0 | 0 | | |
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| | 02 | TBA | | TBA | Phillips | No final | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | Mutonya | No final | 0 | 0 | 0 | | |
| 04 | TBA | | TBA | Parsons | No final | 0 | 0 | 0 | | |
| 06 | TBA | | TBA | Duncan | No final | 0 | 0 | 0 | | |
| 10 | TBA | | TBA | Parikh | No final | 0 | 0 | 0 | | |
| 13 | TBA | | TBA | Mustakeem | No final | 0 | 0 | 0 | | |
| 14 | TBA | | TBA | DIALLO | See instructor | 0 | 0 | 0 | | |
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