| Description: | This course will provide an introduction to the major and concepts in the interdisciplinary field of women, gender and sexuality studies. We will examine the meanings attached to terms such as "man," "woman," "gay," and "sex." Topics discussed may include the history of feminist movements, masculinity, biological frameworks for understanding gender, intimate violence, sexual identities, and intersectionality. Five seats are reserved for Freshmen, Sophomores, Juniors and Seniors in each section. One section is reserved for freshman and sophomore students only. ATTENDANCE MANDATORY FIRST DAY IN ORDER TO RESERVE YOUR CLASS ENROLLMENT. |
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| | 01 | -T-R--- | 1:00P-2:30P | Louderman / 461 | Baumgartner | Dec 19 2017 1:00PM - 3:00PM | 20 | 20 | 0 | Desc: | Section 01 is reserved for freshman and sophomore students only. |
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| 02 | -T-R--- | 1:00P-2:30P | Mallinckrodt / 302 | Barounis | Dec 19 2017 1:00PM - 3:00PM | 20 | 23 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 03 | M-W---- | 10:00A-11:30A | Louderman / 461 | Ake | Dec 18 2017 10:30AM - 12:30PM | 20 | 23 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 04 | -T-R--- | 8:30A-10:00A | Mallinckrodt / 303 | Brumbaugh Walter | Dec 15 2017 1:00PM - 3:00PM | 26 | 24 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 05 | -T-R--- | 11:30A-1:00P | Mallinckrodt / 303 | Sangrey | No final | 20 | 25 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 07 | M-W---- | 11:30A-1:00P | Louderman / 461 | Cislo | Dec 19 2017 10:30AM - 12:30PM | 20 | 20 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 08 | M-W---- | 2:30P-4:00P | Mallinckrodt / 302 | OPONG | Dec 18 2017 3:30PM - 5:30PM | 20 | 18 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 09 | -T-R--- | 2:30P-4:00P | Mallinckrodt / 302 | Barounis | Dec 20 2017 3:30PM - 5:30PM | 20 | 20 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| 10 | -T-R--- | 1:00P-2:30P | Seigle / 204 | Munem | Dec 19 2017 1:00PM - 3:00PM | 20 | 12 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | -T-R--- | 10:00A-11:30A | Seigle / L002 | Musser | No final | 20 | 19 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| | 01 | TBA | | TBA | Dzuback | No final | 2 | 0 | 0 | | |
| 02 | TBA | | TBA | Baumgartner | No final | 5 | 0 | 0 | | |
| 03 | TBA | | TBA | Nicholson | No final | 5 | 0 | 0 | | |
| 05 | TBA | | TBA | Friedman | No final | 5 | 0 | 0 | | |
| 08 | TBA | | TBA | Musser | No final | 5 | 0 | 0 | | |
| 09 | TBA | | TBA | McCune | No final | 5 | 0 | 0 | | |
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| | 01 | TBA | | TBA | Dzuback | No final | 3 | 0 | 0 | | |
| 02 | TBA | | TBA | Baumgartner | No final | 3 | 0 | 0 | | |
| 03 | TBA | | TBA | Nicholson | No final | 3 | 0 | 0 | | |
| 05 | TBA | | TBA | Friedman | No final | 3 | 0 | 0 | | |
| 08 | TBA | | TBA | Musser | No final | 3 | 0 | 0 | | |
| 09 | TBA | | TBA | McCune | No final | 3 | 0 | 0 | | |
| 11 | TBA | | TBA | Brumbaugh Walter | No final | 3 | 0 | 0 | | |
| 12 | TBA | | TBA | Musser | No final | 1 | 1 | 0 | | |
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| | 01 | -T-R--- | 1:00P-2:30P | Eads / 102 | Friedman | No final | 15 | 9 | 0 | Desc: | HOW TO DO THE HISTORY OF SEXUALITY: Researching and writing the history of sexuality presents a unique set of challenges. At many times and places sex has been supposed to be confined to the "private" sphere and so the kinds of evidence that historians often rely on can be difficult to find. Sex is also highly policed, with the result that the diversity of sexual practices is often hidden--"what ought to be" is radically different from "what is." This course will investigate how historians have responded to these challenges to understand how sexual practices, ideologies, identities and regulatory systems have changed over time. We will explore innovative approaches to evidence as well as theoretical frameworks for thinking about the relationship between private and public, experience and identity, practice and power. Most of our examples will be drawn from the United States, but where useful we will compare the U.S. experience to other locales as well. PREREQUISITE: Sophomore standing or permission of the instructor. Modern, U.S. This section is crosslisted with L77 301U. |
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| 02 | -T-R--- | 2:30P-4:00P | Cupples I / 216 | Kastor | No final | 0 | 17 | 0 | Desc: | HAMILTON'S AMERICA: HOW TO DO THE HISTORY OF POLITICS AND GOVERNMENT: The popularity of the musical Hamilton has fueled a renewed interest in the politics of the early American republic. This seminar explores that world by examining how Americans sought to translate their notions of government into a realistic set of priorities and a functioning set of public institutions during the years following ratification of the Constitution. In the process, this course also considers the methods that historians can use to analyze politics, policymaking, and governance. This course uses the life and career of Alexander Hamilton as a point of departure for investing how the federal government came into being, what it did, and who populated the civilian and military rank of American officialdom. The course will examine the various methodologies that historians can use to address these topics. We will consider the relative merits and limits of both qualitative and quantitative methods. This course will also devote considerable attention to the methods of digital history that have emerged in recent years, both as a means of analyzing and representing historical material. This course does not require any prior knowledge of early American history or digital methods. PREREQUISITE: Sophomore standing or permission of the instructor. Pre-modern, U.S. |
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| Description: | Little Goody Two Shoes taught morality and the alphabet to the poor children of her village and eventually rode in a coach and six; Nancy Drew drove a blue roadster (later a convertible and still later a hybrid) while solving crimes and bringing justice to the town of River Heights. Between these two landmark characters lie the two and a half centuries of rich and diverse fiction for girls that will be at the center of this writing-intensive course. After grounding our studies by reading selected works from the eighteenth and nineteenth centuries, we will concentrate on twentieth-century productions, beginning with the surprisingly progressive serial fiction produced by the Stratemeyer Syndicate and others in the early 1900s. (Titles such as The Motor Girls, The Moving Picture Girls, and The Outdoor Girls advertise the series´ departure from domestic settings.) Throughout our study of both popular and classic texts, we will investigate the social, political and familial roles for girls that the texts imagine. Major genres will include mysteries, frontier fiction, career fiction, domestic fiction, school stories, and fantasy. Authors will include Newbery, Alcott, Montgomery, Wilder, Lindgren, and "Carolyn Keene." Writing Intensive. Satisfies the Twentieth Century and later requirement. |
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| Description: | Around the U.S. and the world, grassroots lgbtq history projects investigate the queer past as a means of honoring the courage of those who have come before, creating a sense of community today, and understanding the exclusions and divisions that shaped their communities and continue to limit them. In this course, we participate in this national project of history-making by helping to excavate the queer past in the greater St. Louis region. Course readings will focus on the ways that sexual identities and communities in the United States have been shaped by urban settings since the late nineteenth century, with particular attention to the ways that race, class and gender have structured queer spaces and communities. In their community service project, students will work with the grassroots St. Louis LGBT History Project to research St. Louis's queer past, including conducting oral histories with local LGBTQ elders. IMPORTANT NOTE: This is a service-learning class, which means it combines classroom learning with outside work at a community organization. In addition to regular class time, there is a service requirement, which will necessitate an additional 3-4 hours a week. Before beginning community service students must complete required training. Prerequisite: Introduction to Women, Gender, and Sexuality Studies or Introduction to Queer Studies, or permission of instructor. |
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| | 01 | -T-R--- | 10:00A-11:30A | Eads / 204 | Friedman | No final | 15 | 12 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | The Stonewall Riots of 1969 are often understood as marking the beginning of a coherent queer culture in the United States. However, long before 1969, U.S. writers such as James Baldwin, Gertrude Stein, Langston Hughes, Willa Cather, and Walt Whitman depicted queer sexuality in their work. In this course, through our readings of fiction, poetry, and drama, we will survey queer literary production before the liberatory moment of Stonewall. During the semester, we will also screen several films, such as the award-winning Capote and the experimental documentary Looking for Langston. Throughout, we will consider a number of questions. What, if anything, is unique about queerness in America? How do American writers represent nonnormative sexualities, in either explicit or coded ways? In what ways did the pre-Stonewall U.S. enable lesbian and gay sexualities, and in what ways did it render those identities unsustainable? How do racial, class, and gender identities intersect with sexual identities? What is queer about the literary forms and styles these writers deployed? Satisfies the Twentieth Century and Later requirement. |
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| Description: | Contemporary topics of women's health and reproduction are used as vehicles to introduce the student to the world of evidence-based data acquisition. Selected topics will span and cross a multitude of contemporary boundaries. Issues will evoke moral, ethical, religious, cultural, political and medical foundations of thought. The student will be provided introductory detail to each topic and subsequently embark on an independent critical review of current data and opinion to formulate their own said notions. Examples of targeted topics for the upcoming semester include, but are not limited to: Abortion, Human Cloning, Genetics, Elective Cesarean Section, Fetal Surgery, Hormone Replacement, Refusal of Medical Care, Medical Reimbursement, Liability Crisis and Gender Bias of Medical Care. This course is limited to students with junior or senior standing. |
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| | 01 | -T----- | 6:00P-9:00P | Simon / 022 | Baum, Gross | Dec 16 2017 10:30AM - 12:30PM | 29 | 21 | 0 | Desc: | ATTENDANCE MANDATORY FIRST DAY OF CLASS IN ORDER TO RESERVE YOUR CLASS ENROLLMENT. 10 seats will be reserved for Women, Gender, and Sexuality Studies majors and minors. |
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| Description: | Emerging in American films most forcefully during the 1940s, film noir is a cycle of films associated with a distinctive visual style and a cynical worldview. In this course, we will explore the sexual politics of film noir as a distinctive vision of American sexual relations every bit as identifiable as the form's stylized lighting and circuitous storytelling. We will explore how and why sexual paranoia and perversion seem to animate this genre and why these movies continue to influence "neo-noir" filmmaking into the 21st century, even as film noir's representation of gender and sexuality is inseparable from its literary antecedents, most notably, the so-called "hard-boiled" school of writing. We will read examples from this literature by Dashiell Hammett, James Cain, Raymond Chandler and Cornell Woolrich, and discuss these novels and short stories in the context of other artistic and cultural influences on gendered power relations and film noir. We will also explore the relationship of these films to censorship and to changing post-World War II cultural values. Films to be screened in complete prints or in excerpts will likely include many of the following: The Maltese Falcon, Double Indemnity, Murder My Sweet, Phantom Lady, Strangers on a Train, The Big Sleep, The Killers, Mildred Pierce, The High Wall, Sudden Fear, The Big Combo, Laura, The Glass Key, The Big Heat, Kiss Me Deadly, The Crimson Kimono, Touch of Evil, Alphaville, Chinatown, Taxi Driver, Devil in a Blue Dress, The Bad Lieutenant, and Memento. Required Screenings: Mondays @ 4 pm. |
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| Description: | This course (formerly called "Women and the Law") explores how social constructions of gender, race, class, and sexuality have shaped traditional legal reasoning and American legal concepts, including women's legal rights. We will begin by placing our current legal framework, and its gender, race, sexuality, and other societal assumptions, in an historical and Constitutional context. We will then examine many of the questions raised by feminist theory, feminist jurisprudence, and other critical perspectives. For example, is the legal subject gendered male, and, if so, how can advocates (or women and men) use the law to gain greater equality? What paradoxes have emerged in areas such as employment discrimination, family law, or reproductive rights, as women and others have sought liberal equality? What is the equality/difference debate about and why is it important for feminists? How do intersectionality and various schools of feminist thought affect our concepts of discrimination, equality, and justice? The course is thematic, but we will spend time on key cases that have influenced law and policy, examining how they affect the everyday lives of women. Over the years, this course has attracted WGSS students and pre-law students. This course is taught by law students under the supervision of a member of the School of Law faculty.. STUDENTS WHO HAVE TAKEN L77 3561 WOMEN AND THE LAW CAN NOT TAKE THIS CLASS. |
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| | 01 | --W---- | 4:00P-7:00P | AB Law Bldg / 404 | Tokarz | No final | 25 | 21 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | This course examines the radical transformation in the position and perspective of European women since the eighteenth century. The primary geographical focus is on Britain, France, and Germany. Topics include: changing relations between the sexes; the emergence of mass feminist movements; the rise of the 'new woman;' women and war; and the cultural construction and social organization of gender. We will look at the lives of women as nurses, prostitutes, artists, mothers, hysterics, political activists, consumers, and factory hands. PREREQUISITE: Sophomore standing or permission of the instructor. Modern, Europe. |
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| | 01 | M-W---- | 1:00P-2:30P | Louderman / 461 | Cislo | No final | 20 | 17 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | This course examines the history of grassroots activism and political engagement of women in the US. Looking at social movements organized by women or around issues of gender and sexuality, class texts interrogate women's participation in, and exclusion from, political life. Key movements organizing the course units include, among others: the Temperance Movement, Abolitionist Movements, the Women's Suffrage Movements, Women's Labor Movements, Women's Global Peace Movements, and Recent Immigration Movements. Readings and discussion will pay particular attention to the movements of women of color, as well as the critiques of women of color of dominant women's movements. Course materials will analyze how methods of organizing reflect traditional forms of "doing politics," but also strategies and tactics for defining problems and posing solutions particular to women. Prerequisites: Any 100- or 200- level Women, Gender, and Sexuality Studies course or permission from the instructor. |
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| | 01 | -T-R--- | 11:30A-1:00P | Seigle / 111 | Wooten | Dec 18 2017 1:00PM - 3:00PM | 20 | 5 | 0 | | |
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| | 01 | TBA | | TBA | Dzuback | No final | 0 | 0 | 0 | | |
| 02 | TBA | | TBA | Baumgartner | No final | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | Nicholson | No final | 0 | 0 | 0 | | |
| 05 | TBA | | TBA | Friedman | No final | 0 | 0 | 0 | | |
| 08 | TBA | | TBA | Musser | No final | 0 | 1 | 0 | | |
| 09 | TBA | | TBA | McCune | No final | 2 | 0 | 0 | | |
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| Description: | This 400 level seminar interrogates the concept of pleasure. Pleasure occupies a fraught space in feminist and queer theory. This course examines several ways that people have theorized pleasure as a space for politics, a space for conservatism, or a way to think about racialized difference. This course is not interested in defining what pleasure is, but it interrogates what the stakes of talking about pleasure have been within contemporary theory and culture. Beginning with an examination of pleasure in the context of early twentieth century sexology, this course looks at the sex wars of the 1970s, the turn toward pleasure as a space of protest, and ends by thinking of ways to imagine pleasure outside of current paradigms of sexuality. The course takes gender, race, and sexuality as central analytic components to understand how pleasure is defined and who has access to it. Either Introduction to Sexuality Studies or Introduction to Women, Gender, and Sexuality Studies are prerequisites. |
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| Description: | Research is the foundation of academic knowledge and of much knowledge produced outside of the academy in think tanks, non-profit organizations, social service agencies, corporations, and many other venues of economic and social activity. Informed by theory, and shaped by specific methods, research can and does help to frame problems, contribute to policymaking, and evaluate the effectiveness of policies and programs. Research is employed in a variety of ways in the different disciplines within the academy and within different practices outside of the academy. This course examines the different ways in which research is conducted and examines the reasons for these differences and the ways in which they contribute to or hamper feminist goals. The course also explores the ways in which some research methods are privileged over others in hegemonic understandings of what counts as "research" and of what counts as "knowledge." The course examines how gender theory and feminist politics shape the kinds of research questions researchers ask, the types of materials and other information researchers use, and the ways researchers define our relationships with our sources of data, evidence, and other information. Students are expected to reflect on and engage with feminist approaches to research in this course in order to develop and complete a detailed research proposal. Prerequisite: At least 2 courses in WGSS, including Introduction to WGSS or Sexuality Studies at the 100 or 200-levels and one 300-level WGSS course, preferably in feminist or queer theory. This class is a writing intensive course. |
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| | 01 | M------ | 2:30P-5:30P | McMillan / 221 | Dzuback | No final | 12 | 10 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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| Description: | This course builds on the new interest in whiteness studies, which assumes that whiteness and masculinity are social constructions rather than "natural" identities. Moving from about 1830 to 1925, we will explore the development of a deeply contested discourse of "national manhood" in the United States, as it emerges in historically specific circumstances. How does whiteness intersect with related discourses of gender, sexuality, and social class? Beginning with the apocalyptic poetry and prose of Edgar Allan Poe, we will examine terrorized whiteness as an identifying feature of normative masculinity in the works of Nathaniel Hawthorne, Herman Melville, Walt Whitman, Mark Twain, Henry James, and F. Scott Fitzgerald. Do these authors claim the power to resist threats to their individual autonomy? To what extent do they experience masculine self-reliance as a myth? How do they imagine meaningful communities? Addressing these social issues and related aesthetic questions, we will venture, as Whitman says, "in paths untrodden." Students will write three papers of increasing complexity and there will be shorter writing assignments as well. Class attendance and active participation are required, naturally! Satisfies the Nineteenth Century requirement. |
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| | 01 | -T-R--- | 1:00P-2:30P | Eads / 14 | Ake | No final | 15 | 8 | 0 | | |
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| Description: | This course engages contemporary feminist theories from diverse transnational contexts, as well as the social movements and local resistances they inspire. Through engagement with key works of feminist theory, political manifestos, and creative works of resistance, we will explore how transnational feminist alliances and coalitions have contested and responded to gendered and racialized forms of exploitation, navigating and reshaping territorial and social boundaries. We will engage with debates around the notion of a "global sisterhood"; tensions between universal and local feminist practice; the role of difference, nationality and culture in navigating the possibility of solidarity; the role of the Internet in forging cross-border alliances; human rights-based activism; "women's" work; transgender inclusivity and transfeminisms. Part of our goal will be to ask how feminist theories from diverse geographical locations have influenced the politics of borders, movements for environmental justice, migrations and mobility, resistance to imperialism and the forging of alternative economies. We will also explore the gray areas existing in between binaries such as feminist/anti-feminist; local/global; home/away; global South/North; victim/agent; domination/dependency. Finally, we will ask how processes of knowledge-production take shape within different intellectual and political movements such as post-colonial feminism, decolonial and indigenous feminism, liberal and radical feminism, Marxist feminism and religiously-based feminisms. |
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| | 01 | M-W---- | 2:30P-4:00P | Seigle / 104 | Brown | Dec 18 2017 3:30PM - 5:30PM | 20 | 10 | 0 | | |
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| Description: | Although women of premodern China have often been portrayed as little more than long-suffering victims of male patriarchy and sexual repression, their lives were far more complicated, diverse, and interesting. Women played roles as filial daughters, dutiful wives, and devoted mothers, but also as proud courtesans, clever entrepreneurs, educated scholars and teachers, independent nuns, fierce warriors and even powerful rulers. In this course we will begin with a broad overview of the ideal traditional roles for women established in early China. We will then move on to a general exploration of some of the ways women were represented in classical literature by male writers. Our main focus, however, will be on how, over time, more and more women took up the brush and began to write themselves. In so doing they were able to express their own subjectivity and often radically reinscribe many of the notions of femininity and of female roles that were dominant during their times. We will conclude with a discussion of ways in which traditional women writers both anticipated and contributed to the 20th century transition to modernity. Most of our class discussion will be based on primary sources in English translation, supplemented by occasional secondary critical scholarly articles where relevant. Prerequisite: Some background in premodern Chinese literature history or culture would be helpful but is not required. |
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| | 01 | TBA | | TBA | Baumgartner | No final | 5 | 0 | 0 | | |
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| | 01 | TBA | | TBA | Dzuback | No final | 0 | 0 | 0 | | |
| 02 | TBA | | TBA | Baumgartner | No final | 0 | 0 | 0 | | |
| 03 | TBA | | TBA | Nicholson | No final | 0 | 0 | 0 | | |
| 05 | TBA | | TBA | Friedman | No final | 0 | 1 | 0 | | |
| 08 | TBA | | TBA | Musser | No final | 0 | 1 | 0 | | |
| 09 | TBA | | TBA | McCune | No final | 0 | 0 | 0 | | |
| 10 | TBA | | TBA | O'Leary | No final | 1 | 1 | 0 | | |
| 11 | TBA | | TBA | Chandra | No final | 3 | 1 | 0 | | |
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| | 01 | TBA | | TBA | Dzuback | No final | 1 | 0 | 0 | | |
| 02 | TBA | | TBA | Baumgartner | No final | 1 | 0 | 0 | | |
| 03 | TBA | | TBA | Nicholson | No final | 1 | 0 | 0 | | |
| 05 | TBA | | TBA | Friedman | No final | 1 | 0 | 0 | | |
| 08 | TBA | | TBA | Musser | No final | 1 | 0 | 0 | | |
| 09 | TBA | | TBA | McCune | No final | 1 | 0 | 0 | | |
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| | 01 | -T----- | 2:30P-5:30P | McMillan / 221 | Nicholson | No final | 15 | 2 | 0 | | | Actions: | | Books | | Syllabus | | Syllabi are provided to students to support their course planning; refer to the syllabus for constraints on use. |
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